Narayan Tripathi

Ram Krishna Bajgain is a Nepali film artist active since 1994, known for his work as an actor, producer, audiographer, and later as a director. He has contributed to Nepali cinema across multiple roles, appearing in notable films such as Dakshina (1994), Balidan (1997), Thuldai (1999), Saait (2000), Karma (2001), and others.As a producer, he worked on films including Dakshina (1994), Dautari (1998), Thuldai (1999), Jange (2000), and Karma (2001). He has also served as an audiographer in films like Thuldai (1999) and Lavkush (2006).Bajgain later expanded into direction, directing Sworga Mero Gau (2018). He is recognized for his long, multi‑disciplinary contribution to Nepali cinema, especially during the 1990s–2000s era.

Yubaraj Lama is a veteran Nepali actor, filmmaker, and action director known for his influential presence in Nepali cinema since the late 1980s. His career spans acting, directing, choreography, and sports administration, making him one of the industry’s most versatile figures.   Selected Filmography As Actor Sarauto (2019) Saayad (2012) Phool (2012) Jangabaaz (2009) Gorkha Rakshyak (2008) Agneepath (2005) Dharmatma (2003) Hero (2000) Deuta (1993) Chino (1991) Bijaya Parajaya (1990)   As Director Khandaan (2004) Dharmatma (2003 As Action Director Chino (1991) Deuta (1993) Aparadh (1994) Badal (1994) Khelauna (1999)

Gautam Ratna Tuladhar is a respected Nepali visual artist and veteran film actor, widely recognized as the first color‑film villain of Nepali cinema for his memorable performance in Nepal’s first color feature film Kumari (1977). A multi‑talented figure, Tuladhar built a parallel career as a वरिष्ठ चित्रकार (senior painter) while establishing himself as a powerful screen presence across dozens of Nepali films.Emerging from Kathmandu’s artistic community, Tuladhar became known for his expressive face, controlled intensity, and ability to portray layered antagonists with dignity and emotional depth. His role in Kumari marked a turning point in Nepali film history, introducing a new visual era and giving him a lasting place in the industry’s foundational narrative.Beyond cinema, Tuladhar was deeply active in Nepal’s theatre movement. During the early BS 2040s, he performed in numerous stage productions under the Sanskriti Sansthan, contributing to a generation of socially conscious, performance‑driven Nepali theatre. His stage work strengthened his craft and shaped his reputation as a disciplined, versatile performer.Across film, theatre, and visual art, Gautam Ratna Tuladhar is remembered as a multi‑disciplinary artist whose contributions helped define the early aesthetic and emotional language of modern Nepali storytelling.

Asmita Gautam is a Nepali poet, performer, writer, and teacher whose work blends emotional honesty with contemporary feminist and social themes. Active across spoken word, theatre, and literary circles, she is known for her expressive performance style and her ability to translate lived experience into intimate, resonant storytelling. Asmita’s writing often explores identity, womanhood, memory, and the quiet tensions of everyday life, making her a compelling voice among emerging Nepali creatives.She appears as one of the featured artists in the upcoming film Ek Mutthi Badal, contributing her poetic presence and narrative sensitivity to the project’s ensemble of storytellers.