RamKrishna Bajgain

Ridhhi Charan Shrestha

Bijayratna Tuladhar is a Nepali film director, chief assistant director, and respected film‑based journalist whose career spans more than three decades across cinema, media, and cultural documentation. Active since the early 1990s, he is known for his disciplined on‑set leadership, his contributions to classic Nepali films, and his award‑winning work in film journalism.He entered the Nepali film industry as a Chief Assistant Director, contributing to notable films such as Priyasi (1993), Rajamati (1996), and Pachhyauri (1997)—projects that helped shape the visual and narrative style of 1990s Nepali cinema. His early work established him as a reliable creative collaborator with strong command over production, continuity, and actor‑director coordination.Transitioning into direction, Tuladhar helmed Bir Ganeshman (2003) and Man Ko Tukra (2004), both of which reflected his interest in socially rooted storytelling and character‑driven drama. His directorial work is marked by clarity, cultural grounding, and a commitment to authentic Nepali narratives.Parallel to filmmaking, Bijayratna Tuladhar built a respected identity as a film‑based journalist, writing analytical pieces, industry reports, and cultural commentary that contributed to the documentation and critique of Nepali cinema. His journalism earned him major national honors, including the NFDC National Film Award (2071) – Best Journalism Award and the D‑cine Award (2066) – Film Journalism Prize, recognizing his influence beyond the screen.With a career that bridges filmmaking and journalism, Tuladhar stands as one of the few Nepali creatives who have contributed to cinema both from within the production floor and from the lens of critical media. His work continues to represent dedication, discipline, and long‑term service to Nepali film culture.

Asmita Gautam is a Nepali poet, performer, writer, and teacher whose work blends emotional honesty with contemporary feminist and social themes. Active across spoken word, theatre, and literary circles, she is known for her expressive performance style and her ability to translate lived experience into intimate, resonant storytelling. Asmita’s writing often explores identity, womanhood, memory, and the quiet tensions of everyday life, making her a compelling voice among emerging Nepali creatives.She appears as one of the featured artists in the upcoming film Ek Mutthi Badal, contributing her poetic presence and narrative sensitivity to the project’s ensemble of storytellers.