Nandita KC

Sanisha Bhattarai is a versatile entertainer who has made a name for herself in the digital world. Born on June 28, 2001, in Pokhara, Kaski, Nepal, she is celebrated for her captivating content and vibrant personality . As a Nepali TikTok star, Sanisha has charmed audiences with her creative videos, gaining a significant following . She is also an IT student and has taken the Nepali music video scene by storm . Recently, she made her debut in the film industry with the movie "12 Gaun"

Shrijana Ninglekhu is a Nepali actress known for her roles in the movies Karsang (2025), Hami Nepali Hami Gorkhali (2023), and Other Side (2024). She has gained recognition for her versatile performances and continues to contribute to Nepali cinema.

Suhana Thapa, also known as Darhi Baa, is a talented Nepali actress and film producer. Let’s explore more about her: Personal Life: Suhana Thapa was born on May 8, 1998, in Kathmandu, Nepal . She is a devotee of the Hindu god Krishna. Film Production: Suhana has been actively involved in film production. She has produced several movies under her home production banner: “A Mero Hajur” (2002) “A Mero Hajur 2” (2017) “A Mero Hajur 3” (2019) “A Mero Hajur 4” (2022) . Acting Career: Suhana made her debut as a child artist in the film “A Mero Hajur” (2002). However, she gained prominence as a lead actress in the prequel, “A Mero Hajur 3” (2019), where she starred opposite Anmol K.C. . Awards: In recognition of her debut performance, Suhana Thapa received the Best Debut Actor (Female) award at the Kamana Film Awards 2020 . She also won the NEFTA Film Award . Suhana Thapa’s journey in the Nepali film industry continues to captivate audiences, and her contributions as an actress and producer are commendable! 🌟🎬🎭

Shrisha Karki (1978–13 October 2002) was a Nepali actress and model whose brief but impactful career left a lasting imprint on Nepali cinema. Active from 1997 to 2002, she appeared in nearly twenty films, including Yo Mayale Launa Satayo (1997), Allare (1997), Aafno Birano (1998), Zameen (1998), Anshabanda (1998), Gham Chhaya (1998), Maya Baiguni (2000), Aawara (2000), Beimani (2001), Maya Garchhu Ma (2001), Kaidi (2001), Dharti (2001), Malati (2001), Aatankabadi (2002), and the posthumous releases Sukha Dukha (2002) and Bacha Bandhan (2004). Known for her expressive presence and natural screen appeal, she represented the emerging generation of late‑1990s Nepali actresses transitioning into more contemporary, youth‑focused storytelling. Her career was cut short when she died by suicide on 13 October 2002 in Kathmandu, an event that triggered nationwide outrage and became one of the most defining media‑ethics crises in Nepali film history. Her death followed the publication of a nude photograph in the tabloid Jana Aastha, which sparked widespread protests by actors, directors, and the public, who condemned the incident as an example of yellow journalism and demanded accountability. Major outlets including the BBC reported on the case, documenting her family’s claims of blackmail and the film industry’s collective call for justice. The controversy ignited long‑term debates about press responsibility, exploitation, and the vulnerability of women in the entertainment sector. Despite the sensationalism surrounding her final days, Shrisha Karki is remembered within Nepali cinema as a talented young actress whose potential was never fully realized. Her filmography continues to be referenced as part of the transitional era of Nepali filmmaking, and her story remains a pivotal reminder of the need for ethical media practices and the protection of artists’ dignity.