Shyama Shree Sherpa

Sandhya KC is a beautiful Nepali VJ, Model, and actress with thousands of fans and followers on social media. She started her career as a VJ and Debuted in the Nepali movie industry from the movie Dreams. Thousands of youngsters have a crush on her as she has a pretty face and charming personality.

Sarita Lamichhane is a Nepalese actress who is known for her work in television series Mukti. She performed the lead role in the T.V. Serial Chetanako Diyo ( NTV),Aachanak (NTV), Dui Din Ko Zindagani (NTV), Gahana (NTV), Janaki ( NTV),Sita (NTV), Chahana Manko (Kanitpur Television), Parichaya (home production- Producer, NTV with highest TRP).

Anu Shah is Nepali model and actress. She debuted in Nepali movie ‘The Yug Dekhi Yug Samma’. After the first movie she has been doing more than ten movies. Actress Anu Shah says that she only do selected movies and don’t accept random offers. Apart from acting in the movies, Anu Shah also is a successful model and music video actress.

Shrisha Karki (1978–13 October 2002) was a Nepali actress and model whose brief but impactful career left a lasting imprint on Nepali cinema. Active from 1997 to 2002, she appeared in nearly twenty films, including Yo Mayale Launa Satayo (1997), Allare (1997), Aafno Birano (1998), Zameen (1998), Anshabanda (1998), Gham Chhaya (1998), Maya Baiguni (2000), Aawara (2000), Beimani (2001), Maya Garchhu Ma (2001), Kaidi (2001), Dharti (2001), Malati (2001), Aatankabadi (2002), and the posthumous releases Sukha Dukha (2002) and Bacha Bandhan (2004). Known for her expressive presence and natural screen appeal, she represented the emerging generation of late‑1990s Nepali actresses transitioning into more contemporary, youth‑focused storytelling. Her career was cut short when she died by suicide on 13 October 2002 in Kathmandu, an event that triggered nationwide outrage and became one of the most defining media‑ethics crises in Nepali film history. Her death followed the publication of a nude photograph in the tabloid Jana Aastha, which sparked widespread protests by actors, directors, and the public, who condemned the incident as an example of yellow journalism and demanded accountability. Major outlets including the BBC reported on the case, documenting her family’s claims of blackmail and the film industry’s collective call for justice. The controversy ignited long‑term debates about press responsibility, exploitation, and the vulnerability of women in the entertainment sector. Despite the sensationalism surrounding her final days, Shrisha Karki is remembered within Nepali cinema as a talented young actress whose potential was never fully realized. Her filmography continues to be referenced as part of the transitional era of Nepali filmmaking, and her story remains a pivotal reminder of the need for ethical media practices and the protection of artists’ dignity.