Nabin K Bhattarai

Suraj Kumar Thapa is a Nepali singer, musician, and composer known for his versatility in various genres. He started his musical journey with Nepalaya, later became the keyboardist for the folk-rock band Nepathya, and eventually established himself as a solo artist. His ability to blend traditional and modern sounds has made him a beloved figure in Nepali music. Some of his notable performances and songs include: Ma Ta Khadina Kuwako Pani (Live performance with Tirtha Kumari Thapa) O Priya (Official music video) Suraj Kumar Thapa continues to produce solo music albums and collaborate with Nepali musical legends. His contributions to Nepali music showcase his deep understanding of melody and composition.

Rudra Shekhar Sharma, known as RUDY, is a versatile singer who captivates audiences in various languages. Born in Jhapa, Nepal, to Bhumika Devi Upadhyay and Ganga Prasad Sharma, Sharma developed a passion for singing at a young age. Even during his school years, he actively participated in cultural activities. After his family moved to Kathmandu, Rudy's desire to become a singer grew stronger with the increased exposure to opportunities in the capital. While pursuing his education in Kathmandu, Sharma also took singing classes at several institutes. His penchant for modern songs and exceptional talent quickly earned him recognition in the music industry. Within a short period, Rudy established himself as a successful singer in the music scene. He found himself among the top singers of the time. Sharma's contribution to Nepali music was acknowledged when he received the 6th RAPATI MUSIC AWARD in 2074 BS for his exceptional singing skills. Despite the presence of other renowned singers at the peak of their careers, Sharma also made a mark among them. He has actively contributed to the Nepali music industry for over twelve years, delivering melodious tunes that resonate with listeners. In 2074 BS, Sharma released his debut album "RUPAM" which garnered significant attention in the Nepali music market. The album, consisting of five songs, received widespread acclaim and became a topic of discussion in the music circles. For the first time, Sharma found himself featured in an album, presenting him with a golden opportunity. Even amidst the challenging times of the COVID-19 pandemic, Sharma released songs like "Devadut Haau Timi," specially dedicated to doctors and medical professionals, contributing to the cause while pursuing his musical endeavors. His other songs, such as "Maya Mari, Maile Cheke Daura ra Surwal, Timi Bhanchhau Jun Ramro, Dukhdina Ma, Kina, Tadpiyera Kati Bachnu, Barshau Bityo, Sital Tapnu, Kahile Aanshuma, Jeena Abhi Baaki Hain (Hindi)" garnered significant attention for both their artistic merit and social relevance.  

Deepa Narayan Jha is a beloved Nepali playback and modern singer known for her soft, expressive voice and enduring romantic melodies. Rising to prominence through Nepali cinema, she delivered evergreen film hits such as “Ukalima Pachi Pachi,” “Timi Mero Ma Timro,” “Jhuto Haina Yo Kura,” “Ghamailo Ramailo,” and “Suna Suna Mayalu.” Her duets with Udit Narayan and other leading artists became defining classics of the 80s–90s era. With numerous film soundtracks and modern hits, Deepa remains one of the most influential and cherished female voices in Nepali music.

Santosh Bhakta Shrestha is a renowned Nepali esraj player, freelance musician, and respected music teacher celebrated for his mastery of this rare bowed string instrument. With decades of dedication to classical and devotional music, he has become a leading figure in preserving and promoting the esraj tradition in Nepal. His performances—such as the soulful rendition of “Jaha Chhan Buddhaka Aankha”—are marked by emotional depth and technical brilliance. Santosh Bhakta has collaborated with prominent artists and institutions, including SAC Music International and Dhrupad Gurukul Kathmandu, where he has performed ragas like JogKauns in intimate classical gatherings. His style is known for its fluid bowing, vocal-like phrasing, and meditative resonance, making him a sought-after performer and mentor. As a freelance teacher, he continues to inspire the next generation of musicians, ensuring that the esraj remains a living, breathing part of Nepal’s musical heritage.