Manohar Bhandari

Rama Mandal is a veteran Nepali singer active since 2038 BS (1981 AD), known for his powerful folk and modern vocal style and for contributing more than 700 songs across Nepali, Maithili, Bhojpuri, Hindi, Tharu, and Awadhi languages.His formal musical journey began in 2038 BS (1981 AD) when he won the Koshi Anchal Modern Singing Competition. In 2039 BS (1982 AD), he secured second place in the Nationwide Lokgeet Competition at Birendra Sabhagriha, Biratnagar, receiving a Rs. 700 cash prize from Queen Aishwarya, which further motivated him.He later joined Tyros, the musical group led by Bhupendra Rayamajhi, becoming active in various musical programs. Around 2041 BS (1984 AD), he passed the Radio Nepal voice test with the song “Chahana ra ichchhāharu sabai phool jastai oiligae”. After completing Sangeet Prabhakar from Allahabad Music School, he joined Radio Nepal in 2045 BS (1988 AD).His playback journey began with the film Manakamana, singing “Jai Jai Aama Manakamana” and “Bujhdai nabujhne yo manlai bujhauna sakinina maile”. His fame rose sharply after “Kaha chhau kaha” from Gopikrishna (2048 BS / 1991 AD).Across his career, he has recorded 700+ songs, including 150+ film songs, with popular hits such as Yo ketiko thik chaina chala, Nyurod ma euti keti palis launa aaki, Jodi milne bho panchebaja thokne bho, Swargbhanda sundar chha hamro sano ghar.His multi‑language mastery and decades of contribution make him one of the most respected and prolific singers in Nepali music.

Tara Adhikari is a talented Nepali lyricist known for his captivating lyrics and contributions to the Nepali music industry. He has written lyrics for numerous popular songs and albums, showcasing his creativity and talent. Notable Works "Chadke Najar": A music video featuring lyrics by Tara Adhikari. "Manaibhari": An album with lyrics by Tara Adhikari. "Sunaulo Tara": Another album featuring his lyrical work. Career Highlights Tara Adhikari has collaborated with various artists and musicians, creating memorable songs that resonate with audiences. His work spans different genres and styles, making him a versatile and respected figure in the Nepali music scene.

Harish Pathare, who worked as a film editor on Parivartan (1971), is a Nepali film personality associated with the early development of Nepali cinema. Although detailed documentation about his life and career is limited, we always remember him with respect as one of the early contributors who helped shape the foundation of Nepali filmmaking in the 1970s.