Manish Niraula

Pawan Mainali is a Nepali film actor best known for his powerful portrayals of villainous characters, earning recognition for his intense screen presence and commanding performance style. Active across commercial and social‑themed cinema, he has built a reputation for bringing depth, aggression, and emotional weight to negative roles, making him one of the memorable खलनायक figures in Nepali films. His ability to shift between fierce antagonists and character‑driven supporting roles has established him as a versatile and reliable performer within the industry.

Arjun Shrestha is a Nepali film actor recognized for his natural screen presence and his work across social, romantic, and dramatic cinema. He has appeared in notable films such as Dodhar, Arjun, Sampati, Kathmandu, and Arunima, earning appreciation for portraying relatable characters rooted in everyday Nepali life. His performance in the widely loved song “Master Saheb Sikaideu Pirati” further strengthened his popularity among audiences. Active across multiple decades, Arjun Shrestha has contributed to the growth of Nepali cinema through consistent performances and collaborations with respected filmmakers and actors. His work continues to resonate with viewers who value authenticity, emotional depth, and storytelling grounded in Nepali culture.

Sita Gurung is a former Nepali stage dancer and film actress. During the mid-1990s, she was actively involved in cultural and comedy programs organized by the legendary Maha Jodi and performed in Nepal as well as abroad, including Hong Kong. She was also a featured dance performer in the popular touring stage show Shikhar Sanjh, which traveled to various parts of the country and attracted large audiences.Building on her success as a stage performer, Sita Gurung later entered the Nepali film industry and appeared in movies such as Aaghat (1996) and Daiva Sanjog (1998). Although there is little evidence of her continued involvement in the entertainment industry today, her beauty, talent, and stage presence left a lasting impression on the Nepali artistic scene of her era.

Sarita Sah is a Nepali theatre artist and actor recognized for her expressive stage presence and her dedication to character‑driven performance. Active in contemporary Nepali theatre, she has contributed to productions that explore social issues, personal identity, and community narratives. Sah’s acting style is rooted in realism, emotional clarity, and disciplined craft, making her a dependable performer in both ensemble and lead roles. Expanding her work into screen acting, she continues to bring the depth and sensitivity of theatre to film and television projects