Man Bahadur Mukhiya

Ratna Kumari Gurung is a Nepali classical and folk‑classical singer known for her contribution to traditional vocal music and her presence in Nepali cultural performance circuits, she is recognized in Nepali music listings as a classical‑leaning vocalist with appearances in cultural programs and traditional music platforms. Within the classical domain, Ratna Kumari Gurung is associated with semi‑classical and classical vocal styles, often performed in cultural events, traditional gatherings, and Nepali folk‑classical platforms.

Umesh Pandey is a Nepali playback singer whose voice defined the popular film songs of the 2050s era, a time when audiences often went to cinema halls because of hit songs. Known for delivering melodies that instantly connected with listeners, Pandey rose to prominence with evergreen numbers such as “Rato Tika Nidharma Talkyo…”, which remain widely loved across generations.Pandey began his musical journey while studying at RR Campus in 2034 BS, where his close circle included singer Rabin Sharma and actor Bhuwan KC. Later, during his studies at Tri‑Chandra Campus, he became associated with noted musicians Shakti Ballav, lyricist Rajendra Paudel, and Prakash Shrestha. After passing the Radio Nepal test, he recorded his first song on 24 Poush 2036 BS, “Nai Bhanchhau Bhan…”, written by Vishwambhar Byakul and composed by Sambhujeet Baskota, at the age of 19.In 2039 BS, Pandey secured third place in the nationwide talent hunt “Pratibhāko Khoji,” organized by Ratna Recording Sansthan, earning him the opportunity to record professionally at a time when gramophone recording was considered a major achievement.His breakthrough came in the 2050s with Sambhujeet Baskota and director Ashok Sharma, who introduced him to film music through Nirmaya, where he sang “Meri Maya Saanchen Hai Ropi…” with Ramana Shrestha and Devika Pradhan. The massive success of “Rato Tika Nidharma Talkyo…” from Sharma’s film Allare established him as a leading playback voice. This success led to further hits, including “Goli Sisako…” (Gaunle), “Ma Bharma…” (Mr. Ramkrishna), and popular songs from films such as Aadhar, Naulothau Pari, Dharmaputra, Khatabah, Mitini, Jwalamukhi, and Saiyanji.Over his career, Umesh Pandey recorded songs for more than 25 films, with most becoming audience favorites. His expressive, melodic singing style made him one of the defining voices of Nepali cinema’s golden musical era.

Juna Bishwokarma is a Nepali model and digital creator who rose to prominence through TikTok, where her expressive dance, acting, and short‑form performance videos earned her a large and loyal following. Her growing popularity on social media opened the door to opportunities in the Nepali music‑video industry, and she is now frequently selected by directors as a featured model due to her confident screen presence and versatile performance style. As her visibility continues to rise, she is also seen as a promising face for upcoming Nepali films, with increasing possibilities for her appearance in movie projects.

Jems Pradhan has been a household name in Nepal for the past two decades. His musical career spans genres, and he’s known for his originality and smart songwriting. He recently made a comeback after a gap of 7 years with his latest album, “Kram”, which is currently garnering appreciation from music lovers. As a singer, composer, and music director, Voice Over Artist Jems has contributed significantly to the Nepali music scene.