LP Joshi

Krishna Devkota is a Nepali folk and dohori singer, songwriter, and composer known for his expressive vocal delivery and commitment to authentic lok‑dohori traditions. Active through his official YouTube channel, he has released popular songs such as “Jor Dharako Pani”—where he contributed both lyrics and music—and collaborative hits including “Ma Ta Lahure Gorkha Paltan Ko,” “Ramdi Jharera,” and “Kasko Dil Thulo.” His works often feature leading artists like Shanti Shree Pariyar, Laxmi Neupane, Khuman Adhikari, and Devi Gharti. Devkota’s catalog reflects a blend of heartfelt storytelling, melodic clarity, and dedication to preserving Nepal’s folk musical heritage.

Pushpa Bohara is a Nepali folk and Deuda singer whose work reflects the musical heritage of the Far‑Western region. Active since 2009, she has contributed vocals to recordings, live stage performances, and collaborative projects with prominent Deuda and lok‑folk artists. Her earliest verified credit is as a singer in the Nepali film Karnali (2009) , establishing her presence in the industry.Her digital catalog includes popular Deuda releases such as “Bagnya Chaulani,” “Maina Chari,” “Kathai Meri Piyari,” “Naroae Hai Bato Heri,” and multiple collaborations with many other artists.

Purshottam Gaire is a Nepali singer, composer, and lyricist known for his contributions to modern and folk Nepali music. He has gained popularity through heartfelt compositions and vibrant music videos that often celebrate cultural identity and emotional storytelling. His songs like Baini Ko Ka Paro, Gudai Jane Rel, and Nachyo Majura showcase his versatility and collaboration with artists such as Simran Pariyar, Devi Gharti, and Aakash Nepali.

Buddhi Bahadur Pariyar was a gifted Nepali folk composer whose song “Resham Firiri” became a cultural anthem. Born in Pokhara, Pariyar grew up immersed in the rhythms of village life. In 1972, he composed “Resham Firiri Resham Firiri”, inspired by the hills and daily joys of Nepali people. The song was recorded in 1974 by Sunder Shrestha and Dwarika Lal Joshi, and quickly gained national fame. Its catchy tune and relatable lyrics made it a favorite among street performers, travelers, and diaspora communities. Despite its popularity, Pariyar remained largely uncredited, highlighting the struggles of folk creators in Nepal’s music industry. His work reflects the soul of Nepali folk traditions—simple, melodic, and deeply rooted in lived experience. “Resham Firiri” continues to echo across generations, symbolizing the enduring charm of Nepal’s musical heritage.