Chandra Kumar Moktan

Avay Dhungel is a singer, musician and songwriter. Most of the songs they sing, they give their own words and music. Born in Okhaldhunga, Pokali VDC, folk singer Avay Dhungel recently lives in the US. Avay's father Nabin Dhungel is also a popular folk singer. Avay sang 'purbeli kanchho', 'supari jai ko mala', aakashaima are very popular songs, "Sali Bhena" is the most popular song he has given to music. Over two dozen songs have been voiced by Avay Dhungel so far and six albums have been released.

Dwarika Lal Joshi is a respected Nepali folk singer known for his powerful, earthy vocal style and his contribution to preserving authentic Nepali lok‑geet. He first gained national recognition as one of the early recording voices of the iconic folk tune Resham Firiri, helping bring traditional melodies into mainstream listening. Joshi’s heartfelt delivery in songs like Maiti Ghar Timro Haina and the lively Dhanga Maruni Bhamcha has strengthened his reputation as a singer deeply rooted in cultural storytelling. His music blends emotional depth with rural folk rhythms, making his work popular across generations. Through decades of dedication, Joshi has contributed significantly to documenting, performing, and promoting Nepal’s folk heritage on stage and in recordings.

Rajan Thakuri is a Nepali folk and dohori singer, lyricist, and composer known for his expressive vocal style and long-standing contribution to lok‑geet and live dohori culture. Active since the late 2000s, he is recognized for popular songs such as “Sansar Ghati Chha,” “Eauta Chitthi Lekhna Manlachha,” “Timrai Jhalko Timrai,” “Simsim Pani,” and “Haatma Lagyo Sunya.” His work spans studio recordings, panchebaja performances, and extensive live dohori shows in Nepal and abroad. Thakuri frequently collaborates with leading artists including Bishnu Majhi, Sirjana Birahi Thapa, Laxmi Neupane, and Phanindra Thakuri, making him a consistent voice in modern Nepali folk music.

Brata Gandarva, a renowned folk singer and Sarangi player, was born on 25th Poush, 2043 BS, in Jarayotar, Palpale, Bhojpur. She is the fourth daughter of Dambar Gandharba and Chija Maya Gandharba. Growing up in a large family with two brothers and six sisters, Brata's childhood was marked by a deep connection to music, especially Sarangi. Her father, a professional Sarangi player, and her mother, who also played the instrument, were her primary sources of inspiration. Though Brata was initially shy and quiet as a child, her love for Sarangi and singing gradually grew as she accompanied her mother around the village, performing and learning the traditional craft. The family's financial struggles further motivated Brata to continue the musical tradition, as it was both a means of sustenance and a way of life. Education and Musical Journey: Unlike many musicians, Brata didn’t receive formal schooling during her early years in the village. However, her connection with music was solidified when she met Gopal Siwakoti Chintan, a renowned figure who inspired her to pursue formal education and music training. Upon moving to Kathmandu, Brata joined Tri-Ratna Cooperative School, where she completed her S.L.C. and later went on to study at Lalit Kala Campus, earning her I.A. degree. She is currently in her B.A. 2nd year at the same institution. Her musical journey began under the mentorship of her parents, with her father being a significant influence on her playing technique. After moving to Kathmandu, she continued her training at Nepal Sangh Vidhalaya, under the guidance of Shyam Nepali, and started recording her songs in Music Nepal around 2053 BS. Brata’s contributions to folk music extend beyond her own performances; she is also a dedicated teacher, sharing her knowledge of Sarangi with students six days a week at various institutions.