Krishna Bhakta Rai

Yasoda Parajuli (Kharel), born in Ashoj 2026 BS in Manipur, India, comes from a musical family. Her father, Chudamani Kharel, was a talented singer, although not a professional, and her mother, Bhima Kharel, was a dedicated housewife. Yasoda grew up alongside five siblings, spending most of her childhood and adult years in India. Despite the lack of formal music training in her early years, she developed a strong passion for music. Yasoda completed her schooling at Kangla Napongdi High School in Manipur and also completed her inter-level studies there. From an early age, she was deeply immersed in classical music and participated in various local programs, showcasing her budding musical talent. Before moving to Nepal, she contributed her voice to several Manipuri films, gaining recognition in the regional music scene. In 2048 BS, Yasoda moved to Kathmandu, Nepal, where she quickly became a part of the local music scene. She began singing live performances on Radio Nepal, focusing on classical songs. Her breakthrough moment came in the same year when she recorded her first song, "Din Dhalyo Andheri Raat Maa," which became an instant hit and established her as a household name in Nepali music. Following this success, Yasoda continued to build her career, contributing her voice to numerous albums. In 2049 BS, Yasoda married Ganesh Parajuli, a fellow musician and singer. Together, they released three duet albums: "Gaunko Maya," "Yugal," and "Saha Yatra," which were well-received by the public. For several years, they lived in Hong Kong, where they continued to perform and share their musical journey. Now back in Nepal, Yasoda is planning a new musical venture, hoping for continued love and support from her fans.

Manoj Khadka is a passionate Nepali lyricist whose words bridge music, emotion, and meaning across generations. While his professional journey spans over two decades, working with renowned agencies such as SAARC, the World Bank, USAID, DFID, American Red Cross, and several other international, inter-governmental, and nonprofit organizations across Nepal, the USA, Africa, and many countries in Asia, songwriting becomes his creative passion — a space where he channels personal expression, cultural reflection, and social insight. His debut song, “Timi Je Bana Udaharan Bana”, performed by Pramod Kharel and Trishala Gurung, is a motivational piece especially cherished by children and educators. Among his most celebrated works is the historic song “Ghazal Unkai Geet Unkai”, which became the first-ever recorded song by three generations of the legendary Ghulam Ali Khan family — a rare and historic milestone in South Asian music history. His lyrical works have been brought to life by Nepal’s most respected voices, including “Gaughar Le Sodhyo Pardeshi Lai” by Ram Krishna Dhakal, “Tejasvi Apsara” by Menuka Poudel, “New York Sahar Ghumna” by Rajesh Payal Rai, and the powerful duet “Sensation” by Ram Krishna Dhakal and Pratap Das. Known for his ability to capture the nuances of romance, social dynamics, and cultural identity, Manoj’s songs resonate deeply with diverse audiences. His commitment to lyrical storytelling — grounded in emotion and cultural context — has positioned him as one of Nepal’s most thoughtful and boundary-crossing contemporary lyricists.

Shila Bahadur Moktan is a veteran Nepali music director, arranger, composer, and multi‑instrumentalist, celebrated for more than five decades of contribution to Nepali music. He is regarded as one of the most respected figures in modern and folk‑influenced Nepali music, known for his refined arrangements, melodic sensibility, and mastery of multiple instruments.Born and raised in Darjeeling, he received formal classical training under J.C. Rai, which shaped his foundation as a composer and instrumentalist. His first recorded song, “Aakha Kahile Najudos,” was broadcast on All India Radio, Kurseong, in the 1980s .Shila Bahadur Moktan has contributed to over 1,200 songs, working as a composer, arranger, and instrumentalist across genres ranging from folk to adhunik Nepali music. His notable early works include folk songs such as “Hoina Maile Dhakeko Badulki Lageko” and “Topi Hataile Bunera,” and the modern classic “Kahile Kahi Malai Pani Herideuna Pharkera,” a song that introduced both Kunti Moktan (vocals) and Shila Bahadur (music) to the Nepali music scene .He is married to legendary singer Kunti Moktan, and together they are considered pillars of Nepali music. Their daughters Subani Moktan and Shital Moktan are also successful musicians, continuing the family’s artistic legacy .After retiring from Music Nepal, Shila Bahadur initially planned to step back from active work, but his passion for music kept him fully engaged in composing, arranging, and performing. He continues to appear in concerts, including the Paleti Series, where he performs his own compositions and vocals .With nearly 50 years in music, he remains an influential figure whose arrangements, compositions, and instrumental work have shaped generations of Nepali music lovers.

Binusa Rai is a contemporary Nepali singer known for her growing presence in modern lok‑geet, purbeli folk, and digital‑era Nepali music. Active across YouTube, studio labels, and streaming platforms, she has lent her voice to popular songs such as “Hataima Salai” (2025) , “Bala Maicha” (duet with Prabhananda Baidya) , and “Kalle Bhanyo” (2025) with Himal Gharti Magar . Her vocals also appear in widely shared folk‑inspired pieces like “Timi Pareu Nepal Ko, Ma Ta Pare Asam Ko” in collaboration with Mani Sundar Limbu .Rai’s discography on streaming platforms includes multiple solo releases such as “Timro Mero Mayako Ghar,” “Priyatam Yo Mero Man,” “Bhaileni Aain Agana,” “Jun Pal Timi Aayau,” and “Kasari Jodyau Mutu”—showcasing her versatility across folk, sentimental, and melodic genres . With consistent digital output and collaborations with emerging composers, she represents the new wave of Nepali female vocalists shaping the post‑2024 folk‑fusion soundscape.