Naren Limbu

Hailing from the picturesque hill station of Darjeeling, Nivangelo brings a breath of fresh air to the Nepali music scene. Now based in the vibrant city of Hyderabad, this singer and music producer isn't afraid to push boundaries. His musical style seamlessly blends genres, incorporating elements of Folk Rock, Pop, and even Hip-hop, resulting in a sound that's both unique and undeniable. Nivangelo's soulful vocals take center stage, whether delivering heartfelt ballads like "Timro Yaad" or weaving his magic on the more upbeat and evocative tracks like "Timi Bahek Afnu Vanne." With a string of Nepali songs already under his belt, Nivangelo is poised to make a significant impact.    

Arjun Sapkota is a Nepalese folk singer, songwriter, and music composer from Nawalparasi, Nepal. He has sung more than one and half Dozen songs including "Pachhuri Lisyo", "Simalai ma Maina","Banki Chari", "Pirati Nalam Maya", "jamekai Gaun Royo"

Yatiraj Adhikari is a respected Nepali violinist, music educator, and classical performer from Dang, Nepal. He serves as a Lecturer at Sirjana College of Fine Arts and an Assistant Professor of Music at Lalit Kala Campus, Nepal’s premier fine arts institution. With a deep foundation in Hindustani classical music, Yatiraj is known for his soulful violin renditions of ragas such as Bihag and Bageshree, often performed in both solo and collaborative settings. He is also a core member of Sampada (The Heritage) Band, a group dedicated to preserving and innovating traditional Nepali music. His performances—featured on platforms like Aashram Music and in international venues such as Frankfurt—highlight his technical finesse and emotional depth. Beyond performance, Yatiraj is committed to nurturing the next generation of musicians through teaching, workshops, and cultural research, making him a vital force in Nepal’s evolving musical heritage.

Navras Shrestha is the founder, lead vocalist, guitarist, lyricist, and composer of The Lakhey, Nepal’s pioneering Newa (Newari) metal band based in Kathmandu. Known for blending traditional Newar musical elements with the power and edge of metal, Navras has carved out a space for a truly indigenous and modern sound that speaks both to cultural identity and musical evolution. His first Newa metal song, Dhampa Tacha, was recorded in 2005—a bold and groundbreaking transformation of a Newa rap piece into a heavy, guitar-driven anthem that laid the foundation for what would become the Newa Metal genre. Over the years, Navras has created and performed a variety of original songs and covers that showcase his wide-ranging musicality. Tracks like Jeevan, Miss Julie (a fully home-recorded, arranged, mixed, and mastered song), and Ae Kancha (a duet cover with a female vocalist) reflect both his technical abilities and his emotional range as a musician. His reimagining of Malshree Dhun—a revered Newari and Nepali traditional piece—is particularly notable for incorporating Spanish and Indian Rajasthani techniques and a touch of Hindustani classical flavor with heavy drumming, giving the folk tune a new life in a contemporary soundscape. Navras’s musical curiosity extends beyond local traditions—he has embraced songs in foreign languages, including a Georgian piece (Erti Nakhavit by Chveneburebi), while also composing original works like Swagta Mu Hai Nheeaye in Nepal’s Thakali language. In 2022, Navras completed his Master of Fine Arts in Music with a focus on Hindustani Classical music. During this time, he developed a deep interest in songs from various ethnic and regional backgrounds of Nepal. Rather than simply studying them academically, Navras has immersed himself in the melodies, rhythms, and stories found in songs of Nepal Bhasa (Newar), Charya (ritual Buddhist music), Tharu, and Limbu and other indigenous languages. He is currently preparing to record and preserve these culturally significant pieces with modern arrangements—ensuring their continuity and relevance for future generations. His academic contribution is also noteworthy. For his master’s thesis, Navras conducted in-depth research on Dapha music (Asan Bajan Guthi). His thesis has since become a valuable resource for members of the Guthi and other musicians who are interested in traditional music. The work not only documented the artform but also shed light on the present condition and challenges faced by the community in keeping their musical heritage alive. While music is his core identity, Navras Shrestha is also a skilled Full Stack Web Developer by profession and currently works at GTA Nepal. His ability to balance a demanding tech career with an expansive artistic practice speaks to his discipline and creativity. In addition, he is deeply passionate about photography and videography. From capturing evocative model portraits to creative visual storytelling, his visual work complements his music, allowing him to express his artistry across multiple forms. Whether through metal riffs rooted in Newa culture, folk songs from across Nepal’s diverse communities, world music explorations, or visual compositions, Navras Shrestha stands out as a multi-talented, cross-disciplinary artist. He continues to inspire others not just with what he creates, but with how he connects deeply to culture, community, and creativity.