Dipendra K Khanal

Shyam Chhetri is a Nepali director and writer currently based in Reynoldsburg, Ohio, recognized for his storytelling focused on diaspora life and emotional realism. Born on February 6, he has emerged as a new creative voice with his 2026 film Prawasi Jiwan, a project that reflects the struggles, hopes, and cultural identity of Nepali immigrants abroad. Chhetri continues to develop films that highlight community narratives and the lived experiences of the global Nepali diaspora.

Samten Bhutia is a Nepali filmmaker, screenwriter, and theatre‑trained storyteller known for his visually grounded, character‑driven approach to cinema. Emerging from the eastern Himalayan creative community, he has directed and written several Nepali and regional films, often blending realism with emotional, socially rooted narratives. Bhutia’s work reflects a strong command of performance direction and atmospheric visual tone, making him a distinctive voice among contemporary Nepali directors.

D.B Pariyar was a pioneering Nepali filmmaker best known for directing, writing, and shaping Satya Harischandra (1950), widely regarded as the first Nepali‑language feature film. Working from India during the early diaspora era of Nepali cinema, Pariyar helped establish the narrative, technical, and cultural foundations that later filmmakers would build upon. His contribution marked a defining moment in the transition from stage traditions to cinematic storytelling for Nepali audiences. Though historical documentation remains limited, Pariyar’s role as director, scriptwriter, and story creator positions him as one of the earliest architects of Nepali film history  

Rishi Raj Acharya is one of Nepal’s most respected film directors, known for blending social realism, cultural depth, and emotional storytelling in modern Nepali cinema. Born on September 14, 1978, in Tulsipur, Dang, he has shaped a distinct directorial identity by treating cinema not just as entertainment but as a medium of social awareness, cultural preservation, and personal expression.Acharya’s filmmaking journey is rooted in his academic background—he holds a Master’s degree in Sociology, which deeply influences his narrative style. His films often explore themes of migration, rural life, tradition, identity, and the changing social fabric of Nepal.He is also actively involved in the Nepali film community as a member of the Film Directors’ Guild of Nepal and the Film Artist Workers’ Organization of Nepal (FAWON).