Deepak Limbu

Ustad Asha Gopal was a respected classical vocalist from Kathmandu and the father of Swor Samrat Narayan Gopal. He was deeply involved in the devotional music culture of New Road, Kilagal, and surrounding temple areas, where he regularly led and participated in bhajan–kirtan traditions. During Narayan Gopal’s childhood, Ustad Asha Gopal often took him along to these bhajan mandalis, where the young Narayan accompanied the ensemble on basic instruments, absorbing classical discipline and devotional musical structure from an early age.Although formal recordings of Ustad Asha Gopal have not been found, his influence is widely acknowledged in oral histories. His grounding in classical and devotional music shaped the early musical environment that nurtured Narayan Gopal’s sense of melody, discipline, and vocal purity. Researchers consider him an important figure in Kathmandu’s traditional music circles of the early 20th century.

Rachana Rimal is one of the new singers in the Nepali musical industry. She is one such singer of Nepal to get a large scale of fans and followers in a short period of time. Many of his songs are coming to the market in a short time. All the songs have won the love of the audience.

Prem Raja Mahat is a renowned Nepali folk singer, songwriter, and musician. Often referred to as the "Elvis of the Himalayas," he has made significant contributions to Nepali folk music since the late 1970s. Some of his timeless classics include Bajho Khet Ma, Paan Ko Paat, and Simsime Panima. He is also known for playing traditional Nepali instruments like the sarangi and madal. Born in Tanahun, Nepal, Prem Raja Mahat faced hardships early in life, losing both parents at a young age. Despite these challenges, he pursued his passion for music and became a celebrated artist. In 1996, he immigrated to the United States, where he continued to create music and even opened a Nepali restaurant in Baltimore

Miss Tara Bai – Singer (Disciple of Melawa Devi)A musical disciple of Melawa Devi, Miss Tara Bai recorded 2 songs in BS 1988 (AD 1931/1932). Although her personal background and song titles are not documented, she is remembered for carrying Melawa Devi’s vocal tradition into the early recording medium.