Benisha Hamal

Tripti Nadakar is a Nepali actress known for her significant contributions to Nepali cinema. Born on January 2, 1969, in Darjeeling, India, she has a unique heritage with a Marathi father and a Nepalese mother. Tripti gained fame for her roles in iconic Nepali films such as Samjhana, Kusume Rumal, Saino, and Lahure. She was often paired with actor Bhuwan K.C., and together they were celebrated as the first "golden couple" of Nepali cinema. Her journey in acting began at a young age, and she transitioned from Marathi and Gujarati films to Nepali cinema, where she left a lasting legacy. Despite her success, she took a long break from acting to focus on her family but later made a comeback in films like Aama Ko Kakh.

Sushma Shahi is a talented actress known for her roles in various Nepali films. She has appeared in notable films such as Bhabhi Dian Choorian (1986), Man ko bandh (1973), and Manila Ki Bijlian (1987). Her performances have garnered attention and appreciation, making her a prominent figure in the Nepali film industry.  For those interested in exploring her work further, there are numerous videos and biographical insights available online, providing a comprehensive look at her career and contributions to cinema.

Mira Madhuri, also known as Meera Madhuri, is an Indian actress and model who appeared in Nepali cinema as a guest performer during the 1990s. Active primarily in Bollywood‑side modeling and film circuits, she became known to Nepali audiences through her role in the Nepali movie Anyaya, where her glamorous presence and expressive acting added cross‑industry appeal.

Nishma Ghimire is a Nepali actress who entered the film industry through the feature film Rhythm, after first appearing in various Nepali music videos. Known for her expressive screen presence and soft, youthful acting style, she became visible in the early 2010s as part of the new wave of actresses transitioning from modeling and music videos into mainstream cinema. Before her film debut, she worked in multiple romantic and modern‑themed music videos, which helped her gain recognition among young audiences.Although Rhythm introduced her to the big screen, Nishma continued to appear selectively in film and media projects. Over time, she gradually stepped back from the Nepali film industry and is currently not active in mainstream cinema.