Ayushman Thakur

Kiran KC, known popularly as Raata Makai (राता मकै), is a Nepalese actor, producer, television personality, singer, entrepreneur and philanthropist. He is known for his comic timing. He is also known for his performance in Je Bho Ramrai Bho (2003), Ta Ta Sarai Bigris Ni Badri (2000) and Jire Khursani (2003 – present). He has been actively associated with television since its early days in Nepal and has appeared in a handful of comedy pieces. He has been seen on the Nepali comedyTV Serial Jhire Khursani and became popular among Nepali viewers as Rata Makai (राता मकै).

Kul Bahadur Adhikari is a Nepali film artist known for his natural acting style and grounded character portrayal. Active in Nepali cinema for years, he has already worked in over a dozen feature films, primarily in supporting and character roles. His realistic performances, subtle expressions, and ability to embody everyday Nepali characters have earned him appreciation from audiences and filmmakers alike. Adhikari continues to contribute depth, authenticity, and emotional clarity to contemporary Nepali storytelling.

Deshbhakta Khanal is a talented actor and director from Nepal. He began his career in theater, performing in plays like Gorakha Bhartikendra and Merchant of Venice. Later, he transitioned to television as an assistant director, working on the series Guruaama Nepalki. His film career took off with Bijaya Parajaya, where he contributed as both an actor and assistant director. Over the years, he has acted in more than 20 feature films, 45 TV serials, and 35 stage dramas. He has also worked as a scriptwriter for around 20 projects. In 1999, he started directing Nepali films, with notable works including Pinjada, Man Mero Mandaina, Santan Thari Tharika, Baazee, and Achanak. Additionally, he has been involved in international projects, such as the Japanese film Miteri Gaun (Tomodachi No Mura) and the American movie Highway to Dhampus.

Mukunda Shrestha is a veteran Nepali film actor recognized for his powerful presence in action, antagonist, and character roles across more than four decades of cinema. Emerging during the formative years of modern Nepali filmmaking, he built a reputation for intensity, discipline, and memorable screen performances. His work spans notable films such as Kohinoor, Basain, Muskan, and several mainstream action features that defined their era. After stepping away from the industry for nearly a decade, he returned with renewed energy in Laaj Sharanam, reaffirming his commitment to Nepali cinema and his enduring connection with audiences.