Anuska Pathak

Bhugoal R. Dahal is a Nepali singer and music instructor known for his warm vocal tone, clean delivery, and his contribution to both modern and semi‑classical Nepali music. Active as a performer and educator, he serves as a music instructor at SS Music School, where he trains emerging vocalists in technique, expression, and performance discipline.Dahal’s singing career includes recorded songs across various modern, lok‑pop, and sentimental albums, along with a growing catalogue of digital releases. His voice is noted for its smooth phrasing, emotional clarity, and adaptability, making him a preferred vocalist for melodic and expressive compositions.As an instructor, he is recognized for his structured teaching approach, focusing on vocal foundation, pitch control, and stylistic interpretation. His dual role as a performer and educator has helped him build a respected presence in Nepal’s evolving music scene.

Umesh Pandey is a Nepali playback singer whose voice defined the popular film songs of the 2050s era, a time when audiences often went to cinema halls because of hit songs. Known for delivering melodies that instantly connected with listeners, Pandey rose to prominence with evergreen numbers such as “Rato Tika Nidharma Talkyo…”, which remain widely loved across generations.Pandey began his musical journey while studying at RR Campus in 2034 BS, where his close circle included singer Rabin Sharma and actor Bhuwan KC. Later, during his studies at Tri‑Chandra Campus, he became associated with noted musicians Shakti Ballav, lyricist Rajendra Paudel, and Prakash Shrestha. After passing the Radio Nepal test, he recorded his first song on 24 Poush 2036 BS, “Nai Bhanchhau Bhan…”, written by Vishwambhar Byakul and composed by Sambhujeet Baskota, at the age of 19.In 2039 BS, Pandey secured third place in the nationwide talent hunt “Pratibhāko Khoji,” organized by Ratna Recording Sansthan, earning him the opportunity to record professionally at a time when gramophone recording was considered a major achievement.His breakthrough came in the 2050s with Sambhujeet Baskota and director Ashok Sharma, who introduced him to film music through Nirmaya, where he sang “Meri Maya Saanchen Hai Ropi…” with Ramana Shrestha and Devika Pradhan. The massive success of “Rato Tika Nidharma Talkyo…” from Sharma’s film Allare established him as a leading playback voice. This success led to further hits, including “Goli Sisako…” (Gaunle), “Ma Bharma…” (Mr. Ramkrishna), and popular songs from films such as Aadhar, Naulothau Pari, Dharmaputra, Khatabah, Mitini, Jwalamukhi, and Saiyanji.Over his career, Umesh Pandey recorded songs for more than 25 films, with most becoming audience favorites. His expressive, melodic singing style made him one of the defining voices of Nepali cinema’s golden musical era.

CD Vijaya Adhikari (born 20 August 1991, Lahachok, Pokhara) is a prominent Nepali singer, composer, and playback vocalist, widely recognized for his versatile voice across classical, semi‑classical, ghazal, modern, and patriotic genres. Active since 2010, he rose to national fame after winning The Voice of Nepal Season 1 in 2018, establishing himself as one of the leading modern vocalists of his generation.He has recorded over 200 songs, including major hits such as “Doori Majboori,” “Man Magyau Man Diye,” “Nasha Piune Bani Bhayo,” “Malai Ta Birsinchau Hola Timile,” “Dhan Lai Maya Gariraichhau,” “Mero Lash Ko Malami,” and “Jhanakuti Jhai Jhai (Doli).” His first playback song was for the Nepali film Doli (2018).Adhikari was also one of the 365 vocalists featured in the Guinness World Record‑setting environmental song “Melancholy”, recognized for the most vocal solos in a single recording.Born to Chandra Kanta Adhikari and Durga Devi Adhikari, he grew up in Machhapuchchhre‑4, Lahachok, where early exposure to folk and adhunik music shaped his artistic foundation. He is married to singer Manisha Rai, who also participated in the “Melancholy” project.Throughout his career, he has earned numerous awards, including the World Nepali Music Award (Best Modern Song Male, 2019), National Sadhana Music Award (2019), Radio Nepal All Nepal Aadhunik Song Competition Winner (2018), and several early‑career titles such as PNC Idol Winner (2010) and Matribhumi Tara Winner (2004).

Kishwor Lopchan is a Nepali singer and composer known for blending melodic Nepali music with themes of discipline, movement, and cultural identity. Alongside his musical career, he is a respected martial arts coach with expertise across multiple Eastern and South Asian combat systems.He trains students in Shaolin Kung Fu, Wushu, Kickboxing/Sanda, ThangTa, Jeet Kune Do, Karate, and Taichi, making him one of the few Nepali instructors with such a wide cross‑disciplinary foundation. His coaching style emphasizes body‑mind balance, traditional discipline, and performance‑oriented technique.His dual identity as a music artist and martial arts mentor positions him uniquely within Nepal’s creative and athletic communities.