Suresh Lama

Kamal Kiran Baraily is a Nepali singer and music composer active in modern, sentimental, and folk‑pop music. He has released multiple studio albums across the 2010s, establishing a steady presence in Nepal’s contemporary music scene. His vocal style is melodic and expressive, often centered on emotional storytelling and modern Nepali pop arrangements.His discography includes three verified albums:Pyas (2013) — Debut albumDadhelo (2015) — Second studio albumParadesh (2016) — Third album exploring themes of longing and migrationAlongside his album work, he continues to release singles and collaborations on digital platforms, contributing both as a singer and composer.

Born on December 11 in Kathmandu, Nepal, to Devendra Prasad Bhatta and Tara Devi Bhatta, Manzayashree Bhatta was raised in the Samakhusi area of Kathmandu. Despite having no formal musical training, she discovered her innate singing talent early on, considering it a divine gift. Her musical journey commenced in 2004 with the recording of her debut song, “Sinduri Sanjh Ma”, composed by her sister Anusha and penned by her brother Rajan. In 2005, she released her first album, “Magnet”, marking her official entry into the Nepali music industry. Her mother has been a significant source of inspiration throughout her musical endeavors. One of her notable songs, “Timlai Samjhiye”, gained popularity among listeners and media, further establishing her presence in the music scene. In 2024, Manzayashree achieved international recognition with the release of her single “Jhyain”, a collaborative Indo-Nepali fusion track featuring Bollywood singer Dev Negi. The song was showcased at Times Square in New York City, symbolizing a significant milestone in her career. The music video, directed by renowned cinematographer Binod Pradhan, was filmed at Mumbai's Imperial Palace and featured choreography by the acclaimed duo Bosco-Caesar. The track has garnered over 84.5 million views on YouTube, highlighting its global appeal .

Rimla Moktan is a beloved Nepali singer known for the sweetness and clarity of her voice, heard in memorable songs such as “Mirmire Bihan Surya Ko Darshan Tiger Hillai Ma,” “Phalelungma Hiu Paryo Danphe Jharyo Sirikhola,” and others. Born in Darjeeling, she studied at Nepali Kanya Higher Secondary School (Boarding School), where she later returned as a teacher. Her musical journey began remarkably early—at just five or six years old—when she started learning classical music under Guru Madhu Singh.Her formal artistic path took shape under the guidance of Chandan Lomjel, who provided her special training and introduced her to competitive performance. Under his mentorship, she participated in the Darjeeling Gorkha Dukha Nivarak Sammelan Music Competition around 1981, performing songs composed by Chandan Lomjel with lyrics by P. Arjun and Puran Giri. She also sang a duet with Lakpa Sherpa, winning awards in both duet and group categories, and securing first place in the Lok‑Adhunik category—a milestone that marked her full entry into the musical field.Rimla continued her classical training with Guru Chittaranjan Mishra, and after he returned to Odisha, she studied under renowned sitar maestro Tri Ratna Tuladhar, with whom she still consults whenever she seeks deeper musical refinement. Through Chandan Lomjel, she also met composer Manikamal Chhetri, who offered her the opportunity to sing in Pratap Subba’s musical drama “Mrigtishna,” where she performed classical raga‑based compositions.With her grounding in classical discipline, her Darjeeling musical heritage, and her naturally melodious voice, Rimla Moktan remains a respected and cherished figure in Nepali folk‑adhunik music.

Suresh Kumar Chhetri is a noted Nepali singer, songwriter and  Author from Darjeeling, admired for his romantic and melodious style. His songs such as “Gajalu Le Aankhai Chhope,” “Jharana Ko Chiso Pani,” and “Timi Mero Jindagi” have become beloved hits among Nepali listeners, especially across the Darjeeling hills and diaspora communities. Beyond singing, he is also an accomplished lyricist, penning many of his own popular numbers. As an author, he has documented his creative and personal journey in the book Geet Bhitra Ko Suresh Kumar, offering intimate reflections on music, memory, and identity. His dual legacy as a performer and writer has made him a distinctive and enduring voice in contemporary Nepali music.