Paras Gazmer

(Singer • Music Producer • Film & Music Video Artist • Live Performer) Ashish Diyali is a Nepali singer, music producer, and performing artist known for his growing presence in Nepali music and visual media. Active across studio recordings, live shows, and music videos, he has developed a reputation for melodic vocals, clean production aesthetics, and a modern Nepali pop‑fusion sound. Diyali’s work spans original songs, collaborative projects, and soundtrack contributions, with a style rooted in emotional storytelling and contemporary arrangements. His music videos and digital releases have helped him build a strong youth audience.

Yasoda Parajuli (Kharel), born in Ashoj 2026 BS in Manipur, India, comes from a musical family. Her father, Chudamani Kharel, was a talented singer, although not a professional, and her mother, Bhima Kharel, was a dedicated housewife. Yasoda grew up alongside five siblings, spending most of her childhood and adult years in India. Despite the lack of formal music training in her early years, she developed a strong passion for music. Yasoda completed her schooling at Kangla Napongdi High School in Manipur and also completed her inter-level studies there. From an early age, she was deeply immersed in classical music and participated in various local programs, showcasing her budding musical talent. Before moving to Nepal, she contributed her voice to several Manipuri films, gaining recognition in the regional music scene. In 2048 BS, Yasoda moved to Kathmandu, Nepal, where she quickly became a part of the local music scene. She began singing live performances on Radio Nepal, focusing on classical songs. Her breakthrough moment came in the same year when she recorded her first song, "Din Dhalyo Andheri Raat Maa," which became an instant hit and established her as a household name in Nepali music. Following this success, Yasoda continued to build her career, contributing her voice to numerous albums. In 2049 BS, Yasoda married Ganesh Parajuli, a fellow musician and singer. Together, they released three duet albums: "Gaunko Maya," "Yugal," and "Saha Yatra," which were well-received by the public. For several years, they lived in Hong Kong, where they continued to perform and share their musical journey. Now back in Nepal, Yasoda is planning a new musical venture, hoping for continued love and support from her fans.

Shila Bahadur Moktan is a veteran Nepali music director, arranger, composer, and multi‑instrumentalist, celebrated for more than five decades of contribution to Nepali music. He is regarded as one of the most respected figures in modern and folk‑influenced Nepali music, known for his refined arrangements, melodic sensibility, and mastery of multiple instruments.Born and raised in Darjeeling, he received formal classical training under J.C. Rai, which shaped his foundation as a composer and instrumentalist. His first recorded song, “Aakha Kahile Najudos,” was broadcast on All India Radio, Kurseong, in the 1980s .Shila Bahadur Moktan has contributed to over 1,200 songs, working as a composer, arranger, and instrumentalist across genres ranging from folk to adhunik Nepali music. His notable early works include folk songs such as “Hoina Maile Dhakeko Badulki Lageko” and “Topi Hataile Bunera,” and the modern classic “Kahile Kahi Malai Pani Herideuna Pharkera,” a song that introduced both Kunti Moktan (vocals) and Shila Bahadur (music) to the Nepali music scene .He is married to legendary singer Kunti Moktan, and together they are considered pillars of Nepali music. Their daughters Subani Moktan and Shital Moktan are also successful musicians, continuing the family’s artistic legacy .After retiring from Music Nepal, Shila Bahadur initially planned to step back from active work, but his passion for music kept him fully engaged in composing, arranging, and performing. He continues to appear in concerts, including the Paleti Series, where he performs his own compositions and vocals .With nearly 50 years in music, he remains an influential figure whose arrangements, compositions, and instrumental work have shaped generations of Nepali music lovers.

Red cap, white hand bands, white scarf, a locket having picture of eagle and leopard, loose clothes and long pants. Guess who’s he? Off course, he’s Nirnaya Shrestha AKA Nirnaya da NSK. He is the naughty soul kid of Nepali music without whom hip-hop or Rap music can’t even be imagined. While other musicians appeared and then disappeared, none were able to match Nirnaya’s standards. Nirnaya was born on 15th Feb. in Birgunj . His father Dr. Shantinath Shrestha went to America to complete his PHD and Nirnaya too moved with him in 1988. Nirnaya joined school in America but carried on guitar classes. He had X-factor in music from very beginning. He participated on most of his school shows. His singing career started from his very Mt. Loghl schooling in 1990. During those times, rap music was in its growth stage. Since, one could express all his life in a single song easily and could connect with the listeners; he was strongly influenced by it so he learned it. He also bagged president of frequency award in eighth standard. As soon as his father completed his PhD, Nirnaya came back to his land and joined St. Xavier School. He had to take tuitions for basic Nepali alphabet. With a view to introduce rap songs among Nepali listeners, he joined image fm in 1999 and started hosting a program name “Bring the house down”. Later after 5 months, he started recording an album for the same name with his group, “Nirnaya and Da’ all stars”. His group mates were Samir, Pranav Joshi, Shakeel and others. The failure of his group was his group mates’ different musical interests. Then after, Nirnaya joined Samrat. They jointly recorded a song Jhilili….. This song strengthened their relationship. In the mean time Rinchin also joined the team. The motive behind naming their group as “The Rappers’ Union” was just an idea of uniting the rappers. “The rappers’ union” released their first album, “For u all” in 2000. It also included English songs like “For u all” and “The game must go on”. More than 1000 CDs were sold by the Rappers’ Union themselves.