Govinda Sunar

Ram Babu Regmi is a Nepali actor, casting director, theatre trainer, writer, and committed theatre activist known for his grounded performances and community‑driven artistic work. With roots in stage practice, he mentors emerging actors while shaping authentic casting and storytelling across theatre and screen.

Deshbhakta Khanal is a talented actor and director from Nepal. He began his career in theater, performing in plays like Gorakha Bhartikendra and Merchant of Venice. Later, he transitioned to television as an assistant director, working on the series Guruaama Nepalki. His film career took off with Bijaya Parajaya, where he contributed as both an actor and assistant director. Over the years, he has acted in more than 20 feature films, 45 TV serials, and 35 stage dramas. He has also worked as a scriptwriter for around 20 projects. In 1999, he started directing Nepali films, with notable works including Pinjada, Man Mero Mandaina, Santan Thari Tharika, Baazee, and Achanak. Additionally, he has been involved in international projects, such as the Japanese film Miteri Gaun (Tomodachi No Mura) and the American movie Highway to Dhampus.

Ratan Subedi is a Nepali singer, comedian, and film actor known for his energetic performances and humorous musical style. Active prominently between 2040–2060 B.S. (1983–2003 A.D.), he appeared in several Nepali films including Aadhi‑Beri, Sapana, Jwala, Apaharan (Ekadeshma), Anartha, Mukundo, Filim, and Nepal Pyaro Cha. Alongside acting, he gained wide popularity as the singer of the hit comedic song “Watti Baler”, which became a staple of stage shows and radio comedy programs. His musical career includes several successful albums, often created in collaboration with Nirmal Raj Paudel, such as Fashion Fashion (7 songs), Maitighar Najau (8 songs), Sansad Dohari – comedy/parody (Gaijatre audio) (7 songs), and Khabardar Hosiyar – comedy/parody (Gaijatre audio) (8 songs). Blending satire, social commentary, and folk humor, Ratan Subedi established himself as a distinctive voice in Nepal’s comedic‑musical tradition and remains a memorable figure in Nepali entertainment