Shekhar Chapagain

Sanjana Maharjan is a Nepali content creator, comedian, and film actress who rose to prominence through Fun Revolution TV, one of Nepal’s leading YouTube-based comedy and sketch platforms. Active since 2018, she has become a recognizable face in contemporary Nepali satirical content, known for her expressive performances, comedic timing, and strong audience engagement.In 2026, she transitioned from digital media to mainstream cinema with her acting role in the Nepali fantasy-comedy film Life Dyamage, appearing alongside Surakshya Panta, Nimesh Shrestha, Isha Thapa, and others.

Pashupati Rai is a Nepali film artist known for his steady presence in supporting and character roles across commercial and social‑themed Nepali films. Active since the early 2010s, he has contributed to a range of projects that highlight everyday Nepali life, emotional storytelling, and ensemble‑driven narratives. Rai is recognized for his grounded acting style, natural dialogue delivery, and ability to portray relatable characters that connect with mainstream audiences.He continues to work across feature films, short films, and occasional music‑video appearances, maintaining a consistent presence in the evolving landscape of Nepali cinema.

Starting from his early life in Biratnagar, Prakash Pathak was born in 2001 B.S. (1944 AD) and later became a familiar face in Nepali cinema. He entered the Nepali film industry in the early 2040s B.S. (1980s AD), gradually establishing himself through steady, heartfelt performances in social and family‑oriented films.Over the course of nearly three decades, Pathak contributed to a wide range of Nepali feature films and telefilms. He appeared in several well‑known titles, including Mayalu, Tilahari, Gopikrishna, Tuhuro, and Bandhan, along with numerous other productions across the 1980s, 1990s, and early 2000s.Prakash Pathak was known for portraying grounded, relatable characters — often fathers, uncles, community figures, or emotionally layered supporting roles. His natural acting style, calm presence, and ability to reflect everyday Nepali life made him a respected contributor to the golden and transitional eras of Nepali cinema.