Rishi Raj Acharya

Yadav Kharel (born 23 February 1943 in Kavrepalanchowk) is a veteran Nepali film director, writer, lyricist, and producer, widely regarded as one of the most influential creative figures in Nepali cinema. He was among the first Nepali filmmakers to earn a formal diploma in Film Direction and Production from the London Film School in 1971, establishing a new professional standard in the industry . Kharel began his career at Radio Nepal before transitioning into filmmaking, where he became known for directing genre‑defining works, including Nepal’s first major comedy‑satire, historical drama, historical biopic, and mythological film . He also served as the founding chairperson of the Film Development Board (2000–2002), shaping national film policy and institutional growth .    

Janak Deep Parajuli is a veteran Nepali film director, media professional, lyricist, and festival director active since 1995, known for directing 100+ music videos, TV series, documentaries, corporate films, and feature films, and for his leadership roles in major Nepali and international film festivals.

Tulsi Ghimire is a celebrated figure in Nepali cinema, known for his multifaceted contributions as a director, screenwriter, editor, actor, and lyricist. Born on July 15, 1951, in Kalimpong, India, he initially worked in Bollywood before transitioning to Nepali films. His debut as a director came with the movie Bansuri in 1981. He is best known for directing iconic Nepali films such as Kusume Rumal (1985), Lahure (1989), Deuta (1991), Dakshina (1994), and Darpan Chhaya (2001). Many of these films became blockbusters and are celebrated for addressing social issues and portraying deep human emotions. His work has left an indelible mark on the Nepali film industry.

Prasanna Poudyal is a Nepali film director and music video director best known for directing the feature film Swor – The Melody of Dreams (2011), a project recognized for introducing several new faces to Nepali cinema and for its fresh, experimental approach within the mainstream film landscape.Before entering feature films, he built his reputation as a well‑known music video director, contributing to Nepal’s modern music scene with visually expressive storytelling.His directorial debut Swor remains his most recognized work, praised for its casting choices and its attempt to break away from formulaic filmmaking. He later directed Mero Best Friend and has worked on upcoming projects including Kamaleko Bihe.