Nabin Chauhan

Ganesh Dev Pandey is a Nepali film director, writer, and screenwriter known for his socially rooted storytelling and his contribution to modern independent Nepali cinema. He made his directorial debut with Malati Ko Bhatti (2012), followed by the romantic drama Manjari (2013), both of which helped establish his reputation as a filmmaker with a distinct narrative voice.He gained wider recognition with Gaja Baja (2018), Nepal’s first stoner‑comedy, which sparked national debate after the Film Development Board initially refused registration due to its title. Pandey challenged the decision in the Supreme Court and won after a two‑year legal battle, marking a landmark moment for freedom of expression in Nepali cinema.His later works include Julebi (2023), a multi‑narrative urban romance praised for its authentic portrayal of modern relationships. He has also written and produced Chini Kam Rang Kada (2020), further showcasing his versatility.

Yubaraj Lama is a veteran Nepali actor, filmmaker, and action director known for his influential presence in Nepali cinema since the late 1980s. His career spans acting, directing, choreography, and sports administration, making him one of the industry’s most versatile figures.   Selected Filmography As Actor Sarauto (2019) Saayad (2012) Phool (2012) Jangabaaz (2009) Gorkha Rakshyak (2008) Agneepath (2005) Dharmatma (2003) Hero (2000) Deuta (1993) Chino (1991) Bijaya Parajaya (1990)   As Director Khandaan (2004) Dharmatma (2003 As Action Director Chino (1991) Deuta (1993) Aparadh (1994) Badal (1994) Khelauna (1999)

Gyanendra Bahadur Deuja is one of Nepal’s most influential film directors, screenwriters, and visual innovators, celebrated for introducing new cinematic techniques and for directing some of the most culturally significant films in Nepali cinema. Active since 1997, he is known for blending social issues, emotional storytelling, and technical experimentation in his films.Before entering cinema, Deuja served as a Deputy Director at Nepal Rastra Bank, balancing a parallel career in banking and filmmaking—an uncommon achievement in the industry. His artistic foundation began at Aarohan Theatre (now Gurukul), where he trained alongside respected Nepali actors and directors.His mentor, senior director Resh Raj Acharya, guided him through early work as chief assistant director in major tele-serials and films such as Sparsh, Dushman, Aama, Bandhan, and Tuhuro.

D.B Pariyar was a pioneering Nepali filmmaker best known for directing, writing, and shaping Satya Harischandra (1950), widely regarded as the first Nepali‑language feature film. Working from India during the early diaspora era of Nepali cinema, Pariyar helped establish the narrative, technical, and cultural foundations that later filmmakers would build upon. His contribution marked a defining moment in the transition from stage traditions to cinematic storytelling for Nepali audiences. Though historical documentation remains limited, Pariyar’s role as director, scriptwriter, and story creator positions him as one of the earliest architects of Nepali film history