Anup Neupane

Laxminath Timalsina is a Nepali film actor active since 2018, known for his appearances in commercial and character‑driven cinema, including roles in Damaru Ko Dandibiyo (2018), Lily Bily (2018), Bir Bikram 2 (2019), and upcoming titles such as Mohar (2025) and Feri Resham Filili (2025). His growing presence in mainstream films reflects a steady rise supported by versatile supporting performances and a relatable on‑screen persona. Timalsina is also featured in the ensemble cast of Gobar Ganesh (2026), further expanding his footprint in contemporary Nepali cinema. Active across both film and comedy‑drama platforms, he represents a new generation of actors contributing consistent, grounded performances to Nepal’s evolving film landscape.

Sushant Ghimire is a rising Nepali singer-songwriter known for his introspective lyrics and soulful melodies. Originally from Biratnagar, he discovered his passion for music early on—singing Raju Lama’s “Timi Lai Dekhera” at a school event sparked his journey. Despite initially pursuing engineering and working full-time at a construction company, his love for music led him to perform cover songs and original compositions at bars in Kathmandu, often juggling gigs with his day job. His notable songs include: - “Mann Chari” – a poetic reflection on inner peace and freedom - “Bujhau Malai” – a heartfelt lyrical piece - “Feri Feri” – a tribute to love and friendship - “Eklo Mann” – written from a female perspective for the drama Kohi Kina Barbaad Hos Ghimire’s music blends emotional storytelling with a modern acoustic sound, resonating with listeners who appreciate authenticity and vulnerability.

Shreedhar Khanal was a Nepali film personality associated with the early development of Nepali cinema. He is best remembered for his involvement in the 1968 Nepali film 'Hijo Aaja Bholi', where he contributed as one of the key creative figures in the production.Khanal belonged to the generation of artists and technicians who worked during the formative years of Nepal’s film industry. At a time when filmmaking resources and infrastructure were limited, he played a role in helping establish socially themed cinema that reflected Nepali culture, traditions, and changing social values.Although detailed documentation about his life and career is limited, Shreedhar Khanal is remembered as one of the early contributors who helped shape the foundation of Nepali filmmaking during the 1960s.