Aasha Poudel

Sarit Rai is a Nepali music director and composer active in contemporary Nepali cinema and independent music, known for his work on feature films like “Khusma” and “Kalli” as well as studio singles such as “Nidhari.” He has composed background scores and full soundtracks, blending modern arrangements with emotional, story‑driven melodies. Rai’s credits as music director and background score composer in films released from 2024 onward have positioned him among the emerging names in Nepali film music, while his own studio, collaborations with labels, and digital releases continue to expand his presence in the industry.

Himal Sagar is a Nepalese pop and modern singer, music composer and lyricist. Born in Jhapa, he started his singing at the early age of 11 covering songs of noted Bollywood singers – Kumar Sanu, Udit Narayan and Sonu Nigam to name a few. He released his first original music album ‘Relation’ in September 2003.

Rajendra Khadki is a noted Nepali actor and action director recognized for his influential contribution to commercial action cinema from the 1990s onward. Known for his disciplined stunt craft and energetic screen presence, he helped define the action style of his era through collaborations with leading stars and directors. Khadki worked both in front of the camera and behind it, choreographing memorable fight sequences that shaped mainstream Nepali filmmaking. His long career reflects dedication to physical storytelling, technical precision, and the evolution of action choreography, establishing him as a respected figure in Nepali film history.  

Arjun Jung Shahi is a Nepali film actor known for his work in the early and mid‑modern era of Nepali cinema. Recognized for his calm screen presence and character‑driven performances, he appeared in several notable films across the 2040s and 2050s B.S. His acting career includes roles in Jivan Rekha, Bishwas (2043‑1‑22), Santaan (2044‑8‑14), Shanti‑Dip (2046‑9‑16), Bhumari (2046‑1‑29), Cheli‑Beti (2046‑12‑29), Ghar‑Aangan (2053‑11‑8), and Mohar. Through these films, he contributed to the evolving narrative style of Nepali cinema, portraying family‑centered, emotional, and socially grounded characters. His body of work reflects the transition period of Nepali filmmaking, where traditional storytelling began merging with contemporary themes.