Rajani KC

Basundhara Bhusal is a celebrated Nepali actress whose career spans more than five decades, making her one of the most enduring figures in Nepali cinema. She began acting as a child artist and gained national recognition with her performance in Aama (1964), the first Nepali feature film produced in Nepal. Bhusal went on to appear in over 135 films, including notable works such as Manko Baadh, Sindoor, Ke Ghar Ke Dera, and Basudev. Known for her expressive acting and strong screen presence, she became a defining face of early Nepali cinema. Her contributions earned her multiple honors, including lifetime achievement awards recognizing her influence on film, theatre, and the cultural development of Nepal’s performing arts.

Shobita (Sovita) Simkhada is a Nepali actress known for her early 2000s–2010s film roles, later becoming an Osho sannyasin and re‑emerging as a spiritual content creator and performer. She began her film career with projects such as Sandesh (2009), Gangajal (2010), Timi Binako Jivan (2010), and a series of 2011 releases including Aafnai Manlai Sodhi Hera, Birtako Chino, Maryo Ni Mayale Maryo, and Kasam.After stepping away from mainstream cinema to pursue a deep spiritual path at Osho Tapoban, she returned to acting more than a decade later through the film Great, directed by Manoj Pandit—publicly announcing her comeback in 2026.Beyond films, Shobita is active as a meditator, author, devotional performer, and host of “The Jogini Show”, where she interviews spiritual figures and artists. Her digital presence includes devotional music, reflective content, and spiritual discourse.

Shrisha Karki (1978–13 October 2002) was a Nepali actress and model whose brief but impactful career left a lasting imprint on Nepali cinema. Active from 1997 to 2002, she appeared in nearly twenty films, including Yo Mayale Launa Satayo (1997), Allare (1997), Aafno Birano (1998), Zameen (1998), Anshabanda (1998), Gham Chhaya (1998), Maya Baiguni (2000), Aawara (2000), Beimani (2001), Maya Garchhu Ma (2001), Kaidi (2001), Dharti (2001), Malati (2001), Aatankabadi (2002), and the posthumous releases Sukha Dukha (2002) and Bacha Bandhan (2004). Known for her expressive presence and natural screen appeal, she represented the emerging generation of late‑1990s Nepali actresses transitioning into more contemporary, youth‑focused storytelling. Her career was cut short when she died by suicide on 13 October 2002 in Kathmandu, an event that triggered nationwide outrage and became one of the most defining media‑ethics crises in Nepali film history. Her death followed the publication of a nude photograph in the tabloid Jana Aastha, which sparked widespread protests by actors, directors, and the public, who condemned the incident as an example of yellow journalism and demanded accountability. Major outlets including the BBC reported on the case, documenting her family’s claims of blackmail and the film industry’s collective call for justice. The controversy ignited long‑term debates about press responsibility, exploitation, and the vulnerability of women in the entertainment sector. Despite the sensationalism surrounding her final days, Shrisha Karki is remembered within Nepali cinema as a talented young actress whose potential was never fully realized. Her filmography continues to be referenced as part of the transitional era of Nepali filmmaking, and her story remains a pivotal reminder of the need for ethical media practices and the protection of artists’ dignity.

Rubina Thapa is a film actress. His first debut film is 'Love Diaries'. Rubina came to film acting through modeling. Rubina Thapa, who has been modeling since 2015, has experience as a brand ambassador for various brands, music videos, poster ads and many ram shows.