Pabitra Rai

Kalyan Ghimire is a Nepali film actor, producer, and production designer active in Nepali cinema since 1998. Over the years, he has appeared in several mainstream commercial films and has contributed behind the scenes in story writing, screenplay, and production design. His acting credits include films such as Anshabanda (1998), Nagad Narayan (1999), Mero Hajur (2001), Maan Mutu Ra Maya (2003), Sasu Nanda Bhauju (2010), Sasu Sasura (2011), Birtako Chino (2011), Shreeman (2011), and Good Luck (2014).Beyond acting, Ghimire has played key creative roles in the film Shreeman (2011), serving as producer, story writer, screenplay writer, and production designer, and later worked as production designer for Madhumas (2013). His long‑running involvement across multiple departments reflects his versatility and steady presence in Nepali cinema.

Samundra Bhatta is a Nepali filmmaker, director, and writer known for her bold storytelling and cultural depth. A graduate of Toronto Film School, she made her directorial debut with Aadha Page (2016), a romantic drama. Her breakthrough came with Gunyo Cholo: The Dress (2024), a powerful film exploring gender identity and social stigma, starring Najir Husen. The film was selected for the prestigious Photo Film Market in Seattle, USA, gaining international attention. Bhatta’s work blends traditional Nepali themes with contemporary narratives, reflecting her commitment to inclusive cinema. As a rising voice in South Asian film, she continues to challenge norms through visual storytelling.

Alok Nembang (June 9, 1973 – November 6, 2014) was one of Nepal’s most influential film and music‑video directors, celebrated for shaping the visual language of modern Nepali pop culture. Beginning his career as a VJ and model, he went on to direct over 600 music videos, introducing cinematic style, fresh aesthetics, and youth‑driven storytelling. Nembang made his feature‑film debut with the hit romantic drama Sano Sansar (2008), followed by Kohi Mero (2010). Known for his creativity, discipline, and trend‑setting vision, he remains a defining figure in Nepal’s contemporary visual and musical landscape.

Shardda Silwal is a Nepali dance teacher, actor, and former senior dance director known for her long service at the Cultural Corporation (1992–2023). Over three decades, she trained students across multiple schools, specializing in classical, folk, and contemporary Nepali dance. Her work includes stage choreography, cultural program direction, and mentoring young performers who later entered professional arts. Alongside teaching, she has also contributed as an actor, appearing in cultural productions and performance‑based projects.