Sudarshan Gautam

Arjun Gurung (born 10 December 1984 in Gorkha) is a Nepali actor and production manager active since the early 2010s, known for his energetic, versatile performances in commercial and social‑drama films such as Bhaire, Fanko, Nepte, Ma Yesto Geet Gauchhu, Love You Baba, Sadanga, and Dui Kadam, while also contributing behind the scenes as production manager on projects like Timro Kasam, establishing himself as a reliable presence in contemporary Nepali cinema.

Rabindra Jha, born on 2 March 1978, is a Nepalese actor, comedian, and scriptwriter also known for his work in Nepali entertainment industry. He has been referred to in the media as "Munna" Jha began his career with appearances in several television series in the late 1990s.

Jaya Kisan Basnet is a Nepali film actor, director, and action choreographer, known for his long‑standing contribution to commercial Nepali cinema. Beginning his career in the late 1998s, he first entered the industry through action direction, later transitioning into acting and establishing himself as a strong screen presence in action‑drama and social‑themed films.Basnet is part of the influential Basnet filmmaking family, and over the years he has built a reputation for portraying intense, authoritative, and emotionally grounded characters. His performances often highlight themes of justice, social struggle, and rural Nepali life—making him a recognizable figure in mainstream Nepali films.As an action director, he has contributed to numerous feature films, helping shape the visual style of Nepali action cinema during the 2000s and 2010s. His shift into acting expanded his creative identity, and he continues to work across both acting and direction.

Honey Rauniar was an actress associated with the Nepali film Aadarsha Nari (1984), where she appeared as part of the film’s cast. Detailed information about her life and acting career is not widely available in public records. However, her involvement in Aadarsha Nari reflects the participation of emerging artists in the early phase of Nepal’s film industry. Even with limited documentation, Honey Rauniar’s contribution remains a small but meaningful part of the history of early Nepali cinema.