Srijana Adhikari

Sajja Mainali is a Nepali actress known for her roles in films such as Himalayan Kingdom of Nepal (2007) and Manish (2006). Though her filmography is relatively brief, she made a strong impression during her time in the industry, with several of her films achieving notable success. While detailed biographical information about her early life and career trajectory is limited, she is remembered for her expressive performances and her contribution to Nepali cinema during the mid-2000s. Some sources suggest she stepped away from the spotlight after a short but impactful career.

Anjana Pun Magar is a Nepali actress, model, and beauty queen originally from Pokhara, Nepal, currently based in Hong Kong. Known for her elegance, cultural pride, and rising presence in the entertainment industry, she has made a name for herself through pageantry, music videos, and her debut in Nepali cinema. Pageantry Career Anjana began her journey in the world of beauty pageants with early recognition in the Nepali community abroad: Miss Magar Hong Kong 2014 – Her first major title, celebrating indigenous identity. Miss Hong Kong Nepal 2023 – Crowned with additional subtitles including Miss Best Hair and Miss Best Walk. Miss Nepal 2024 Contestant – Representing the Nepali diaspora on the national stage, she brought international flair and cultural pride to Nepal’s most prestigious pageant.  Acting Career Anjana made her silver screen debut in the Nepali feature film: Yani Maya (2025) Directed by Bikash Subedi Produced under Paul Shah Films Filmed in Baglung and Hong Kong A romantic drama that marked her transition from modeling to acting, showcasing her emotional depth and screen presence. Cultural Advocacy Anjana is a passionate advocate for Magar culture and Nepali heritage. Through her modeling, acting, and public engagements, she promotes indigenous identity and empowers young women in both Nepal and the diaspora. Her work bridges the cultural gap between Nepal and Hong Kong, making her a respected figure in both communities.

Anita Basnet, popularly known as Masterni, is a dynamic and versatile figure in Nepali entertainment, originally from Okhaldhunga. She has made a lasting impact as a writer, director, and comedic actress, especially in the realm of social serials and comedy shows. She is the writer and director of two acclaimed Nepali social serials: Saino – A heartfelt drama exploring family ties, trust, and emotional conflict. The series has gained popularity for its relatable storytelling and strong performances. Mitini – Another socially conscious serial that delves into the complexities of friendship and women’s experiences in Nepali society. In addition to her work behind the camera, Anita Basnet has showcased her comedic talent in several beloved Nepali comedy shows: Meri Bassai – Where she gained widespread recognition as “Masterni,” a character that resonated with audiences for her wit and charm. Hami Yastai Ho Bro – A web series that blends humor with social commentary. Harke Haldar and Halka Ramailo – Popular comedy shows where her performances added depth and laughter to everyday Nepali life. Her ability to balance humor with heartfelt storytelling has made her a respected name in both traditional and digital media.

Bishnu Bhakta Phuyal was an artist and theater actor. He had been active in Nepali cinema for a long time. Phuyal passed away on the 19th of Poush, 2073 B.S. (January 3, 2017), while performing on stage at the Rastriya Nachghar in Kathmandu. He collapsed while portraying King Janak in the play Maharshi Yagya Valkya, directed by Badri Adhikari. Despite immediate attention, he could not be revived. Phuyal was also seen in the popular comedy series Tito Satya, where he played the role of actress Deepashree Niraula’s father. In addition to television, he acted in numerous Nepali films. He had once expressed a wish to die while working in the theater—and ultimately, he departed while performing on stage. His catchphrase “Youre my love” with hip-hop style from Tito Satya made him widely recognized and beloved by audiences.