Shyam Nepali

Buddha Lama is a musically talented young personality. He used to keep peoples spellbound by playing popular folk tunes in flute from his childhood. He came to Kathmandu for his further theoretical & practical courses in flute after finishing his schooling. In Kathmandu , he met flute instructor Jeevan Ale. Then he started both theoretical & practical classes in classical music. During his learning period he came to know from his instructor that no one can make flutes professionally in Nepal and it was hard to get even a perfect scaled flute in Nepal . People had to go to India to get a perfect flute. One day he determined to make flute himself in Nepal and after few years of his study he succeeded. Now world renowned flute-maestro from Nepal like Prem Ran Autari from ‘Sur Sudha' band, Himalayan Flutist Manose Sing, Pancha Lama from Chautari band and other well-known flutists are using flutes made by him. He also supplies his flutes in USA, Japan, Switzerland and other countries. All the effort he puts in result in quality flutes that have a massive and ever increasing demand abroad. He is pleased with this and plans to further improve the quality and as well address a wider market thus helping spread the melodious tune of flutes all around the world.

Kushal Thapa is a Nepali lead guitarist known for his versatile work across recording studios, reality‑show stages, and major live concerts. A skilled session musician, he has contributed guitar arrangements and studio recordings for various artists, bringing a blend of melodic phrasing and modern Nepali guitar style.He also performs as a band guitarist for Pramod Kharel, supporting national tours, concerts, and televised performances with expressive lead lines and strong stage presence. His experience across studio, stage, and broadcast settings has established him as a reliable and adaptable guitarist in Nepal’s contemporary music scene.

Jhalakman Gandharva (झलकमान गन्धर्व) was a pioneering Nepali folk singer who popularized Gaine Geet, giving voice to Nepal’s marginalized Gandharbha community. Born on July 29, 1935, in Batulochaur, Pokhara, Jhalakman began singing at age nine, traveling village to village with his sarangi. He became the first Gaine artist to record songs, transforming oral traditions into mass media. His haunting ballads, especially “Aamale Sodhlin Ni”, mourned the death of Nepali soldiers abroad and resonated deeply across generations. Active from 1965 until his death in 2003, he recorded over 100 songs, blending folk and classical styles. His music preserved indigenous narratives and challenged caste-based exclusion, earning him national reverence. Jhalakman’s legacy lives on as a cultural bridge—his voice remains a symbol of dignity, sorrow, and resilience.

Dashain and Malshree Dhun are deeply connected in Nepali culture. The sacred melody of Malshree is considered the musical soul of Dashain, and helping preserve this tradition is Nepal’s first and only female sarod player, Rupa Neupane. Rupa Neupane was born in Asar 2026 B.S. (1969 A.D.) in Mulpani, Kathmandu. She was married at the age of 12 in 2038 B.S. Despite early marriage and social responsibilities, her passion for music gradually found its way into her life. At the age of 24, in 2050 B.S. (1993 A.D.), she began learning the sarod, marking the beginning of her remarkable musical journey. She first trained under senior sarod maestro Mohan Sundar Shrestha in Kathmandu. Later, she continued her studies with Suresh Raj Bajracharya and further refined her skills under Dr. Anupama Kumari in India. Through dedication and continuous practice, she steadily established herself as a respected sarod instrumentalist. In a field traditionally dominated by men, Rupa Neupane broke barriers and created a historic identity as Nepal’s pioneering female sarod player. Her performances of Malshree Dhun during Dashain have strengthened the cultural connection between classical instrumental music and Nepal’s most celebrated festival. Today, she continues her journey as a committed sarod artist, inspiring women and young musicians across the country. Her life reflects perseverance, courage, and devotion to classical music, proving that passion and determination can overcome social and personal challenges.