Shree Ram Pudasaini

Rajkumar Shah is a veteran Nepali film artist active since 1993, known for his long career in commercial Nepali cinema and his appearance in the 1995 feature film Soltini, where he played a supporting negative character. His work spans more than three decades, with credits in 16+ feature films, including Rakshya (1993), Tuhuro (1994), Soltini (1995), Daijo (1996), Avatar (1997), Ghaite (1997), Sindur Pote (1998), Aafanta (1999), Santanko Maya (2002), and later titles such as Hasideu Ek Phera (2010) and Bindaas 3

Sushma Niraula is a Nepali film and theatre actress known for her growing presence in contemporary Nepali cinema. Active since 2019, she has appeared in more than 10 feature films, including notable titles such as Ghamad Shere (2019), Chapali Height 3 (2022), Dui Numberi (2022), Chhakka Panja 4 (2023), Boksi Ko Ghar (2024), Khajure Bro (2024), and the upcoming Abhimanyu Chapter 1 (2025) and Laalimaa (2026).

Jack Shrestha is a Nepali film artist recognized for his natural acting style and his contribution to performance‑focused storytelling in Nepali cinema. Active across feature films and supporting roles, he is known for portraying grounded, relatable characters that reflect everyday Nepali life. Shrestha’s performances emphasize emotional clarity, subtle expression, and strong narrative support, making him a dependable presence in modern Nepali films. With a growing body of work, he continues to build his identity as a committed and expressive actor in Nepal’s evolving film landscape.

Samundra Bhatta is a Nepali filmmaker, director, and writer known for her bold storytelling and cultural depth. A graduate of Toronto Film School, she made her directorial debut with Aadha Page (2016), a romantic drama. Her breakthrough came with Gunyo Cholo: The Dress (2024), a powerful film exploring gender identity and social stigma, starring Najir Husen. The film was selected for the prestigious Photo Film Market in Seattle, USA, gaining international attention. Bhatta’s work blends traditional Nepali themes with contemporary narratives, reflecting her commitment to inclusive cinema. As a rising voice in South Asian film, she continues to challenge norms through visual storytelling.