Shiva Ram Shrestha

Arjun Tiwari is a highly skilled and busy cinematographer in the Nepali film industry. Here are some key highlights about him: Career and Contributions Early Career: Arjun Tiwari started his career in television but later transitioned to freelancing, where he has made a significant impact. Versatility: He has worked on a wide range of projects, including music videos, documentaries, TV commercials, and feature films. Reputation: Known for his expertise and creativity, Tiwari is one of the most sought-after cinematographers in Nepal. Notable Works Music Videos: Tiwari has shot numerous music videos, contributing to the visual appeal and storytelling of Nepali music. Reality Show: Tiwari has demonstrated his skill as DOP in popular reality shows of Nepal. He has been involved in 'The Voice of Nepal', 'Dancing Star Nepal', 'The Voice of Kids Nepal' among others. Documentaries and Commercials: His work extends to documentaries and TV commercials, showcasing his versatility and ability to adapt to different formats. Feature Films: He has also been involved in shooting feature films, bringing his unique vision and technical skills to the big screen

Purushottam Pradhan is a well known cinematographer with more than 200 Nepali movies credit. He is from the beautiful Himalayan country of Kathmandu Nepal. Currently he lives in Kathmandu Nepal.He was born in 27th June. He won National Nepali Film Award in 2016.

Starting from his early career in the late 1980s, Deepak Dhakal emerged as a dedicated Nepali cinematographer known for his steady contribution to commercial and social‑themed Nepali cinema. He made his debut as a cinematographer with Sindoor and went on to work in more than 20 feature films, shaping the visual tone of 1990s and early‑2000s Nepali filmmaking.Dhakal’s filmography includes notable titles such as Shanti Deep (1989), Cheli Beti (1990), Pheri Bhetaula (1990), Didi (1992), Chokho Maya (1993), Chatyang (1994), Chahana (1994), Sarangi (1994), and Pahilo Prem (1997). His work is remembered for its grounded visual style, clarity in storytelling, and commitment to traditional Nepali cinematographic techniques.Beyond filmmaking, Dhakal served as a professor at Oscar International College, Nepal’s only dedicated film‑teaching institute, and was an active member of NEFTA, contributing to the professional development of the industry. He passed away on 3 December 2015 due to a brain hemorrhage, leaving behind a respected legacy in Nepali cinema.

Shyam Mohan Shrestha is a veteran Nepali cinematographer known for his refined visual style and consistent contributions to Nepali cinema from the late 1970s onward. Active for more than four decades, he has worked across landmark films that shaped the visual language of the industry. His cinematography is recognized for its balanced lighting, grounded realism, and strong narrative sensitivity, particularly in social dramas and romantic features.He is best known for his work in acclaimed films such as Kumari (1977), Sindoor (1980), Badlido Aakash (1983), Ke Ghar Ke Dera (1985), Maya Preeti (1989), Badal (1994), Saubhagya (1995), and the celebrated Gothalo (1996). His career also extends into film production, including the feature Ghumto (2001). Shrestha remains regarded as one of the steady, foundational cinematographers of his generation, contributing to the evolution of Nepali film aesthetics.