Shishir Bangdel

Kumar Kattel, popularly known as "Jigri," is a talented Nepalese comedian, actor, and director. He gained fame for his role in the television series Bhadragol, where he portrayed the character Jigri. After leaving Bhadragol, he continued to play the same character in the series Sakkigoni, which became one of the most popular shows in Nepal. Born on July 19, 1989, in Solukhumbu, Nepal, Kumar Kattel has also worked as a writer and director. He contributed to the film Senti Virus and has appeared in various music videos and web series. His humor and distinctive style have won the hearts of many, making him a beloved figure in Nepalese entertainment

Sushma Niraula is a Nepali film and theatre actress known for her growing presence in contemporary Nepali cinema. Active since 2019, she has appeared in more than 10 feature films, including notable titles such as Ghamad Shere (2019), Chapali Height 3 (2022), Dui Numberi (2022), Chhakka Panja 4 (2023), Boksi Ko Ghar (2024), Khajure Bro (2024), and the upcoming Abhimanyu Chapter 1 (2025) and Laalimaa (2026).

Mukesh Dhakal is a Nepali film actor known for his consistent presence in commercial Nepali cinema throughout the 2010s, appearing in action‑drama and social‑themed films. His career includes roles in Heroz (2018), Parinam (2018), Surya: The Power (2016), Dhoon (2015), Kasaiko Maya Kasaiko Pachheuri (2014), Bardaan (2013), The Plan (2012), and a series of 2011 releases including Hamro Maya Juni Junilai, Parkhi Raakha Hai, Shreeman Shreemati, Dulahi, Nigarani, and Man Manai Man Paraye. His filmography shows a steady run of roles across romantic, family‑drama, and action genres, with Heroz (2018) being his most widely recognized recent credit.

Honey Rauniar was an actress associated with the Nepali film Aadarsha Nari (1984), where she appeared as part of the film’s cast. Detailed information about her life and acting career is not widely available in public records. However, her involvement in Aadarsha Nari reflects the participation of emerging artists in the early phase of Nepal’s film industry. Even with limited documentation, Honey Rauniar’s contribution remains a small but meaningful part of the history of early Nepali cinema.