Shamita Shrestha

Born in Madi, Rambeni Sankhuwasava on July 29, 1966, Yogendra Mani Dahal discovered his love for music early on. Since 2001, he has been writing lyrics, releasing albums like Akshyar (2004), Players (2006), So Far (2008), and Yatra (2009), with his latest work, Smriti, on the way. Influenced by legendary lyricists Ratna Shamser Thapa, Kali Prasad Rijal, and Dinesh Adhikari, his journey started with Deepesh Kishor Bhattarai’s album FOREVER, where his first lyrics were featured. He remains deeply thankful to Deep Shrestha, Raju Singh, Deepesh Kishor Bhattarai, Sanjeev Singh, and Saroj Dutta for their unwavering support. For Yogendra, music isn’t just entertainment—it’s a reflection of life, emotions, and culture. He hopes future generations will treasure and preserve the artistry within lyrics and songs.

Deepak Kharel is a legendary figure in the Nepali music scene, celebrated for his soulful voice and deep connection to the lyrical beauty of modern Nepali songs. With a career spanning several decades, Kharel has not only witnessed the evolution of Nepali music but has also played a pivotal role in shaping it. He first rose to prominence in the 1980s and quickly became known for his melodious voice, classical training, and his ability to bring out raw emotion in every performance. His songs often explore themes of love, longing, heartbreak, and the beauty of life, striking a chord with audiences of all ages. Some of his most beloved and timeless tracks include “Timro Tyo Hasilo,” “Badal Banai Deu,” “Poornima Ko Raat,” “Ma Timro Saath Dinchhu,” and “Hera Na Hera Kancha.” These songs remain staples on Nepali radio and playlists, evoking nostalgia and admiration from generations of music lovers. Deepak Kharel has received numerous awards and honors for his contributions to Nepali music. He has worked closely with acclaimed lyricists and composers such as Ramesh, Bhairav Aryal, and Shanti Thatal, creating musical masterpieces that are still celebrated today. Beyond singing, Kharel has also contributed as a music mentor and has inspired many young artists to pursue music with sincerity and discipline. His influence is seen not only in his recordings but also in the way his voice and style have shaped the identity of modern Nepali playback singing. He remains active in the music community, performing on prestigious stages and continuing to be a revered name in the industry. His legacy is one of elegance, grace, and a lifelong dedication to the art of music.

Bishwo Dong is a celebrated Nepali and Tamang singer, composer, songwriter, and arranger known for his vibrant contributions to the Tamang Selo and Lok Pop genres. Born on January 23, 1984, in Kavrepalanchok, Nepal, he grew up in the culturally rich hills of Temal. His musical journey began after completing his SLC in 2055 BS, when he joined Sangeet Sadhana Music School and trained under Kailash Rai and later Aaga Lama. He often collaborates with artists like Sumina Lo, Sashikala Moktan, and Jamuna Yonjan, and his music blends traditional Tamang rhythms with modern arrangements. His studio, Dong Studio, is a hub for his creative productions.

Gyanu Rana is a celebrated Nepali singer known for her contributions to modern and folk music. Born on October 3, 1949, in Batulechaur, Pokhara, Nepal, she grew up in a musically rich environment. Her father, Dharmaraj Thapa, was a renowned poet and folk singer, and her mother, Savitri Thapa, was a cultural promoter. Gyanu Rana's upbringing deeply influenced her musical journey. She has recorded over 2,000 songs in various languages, including Nepali, Hindi, Urdu, Bhojpuri, Maithili, and Newari. Her repertoire spans modern, classical, folk songs, bhajans, and ghazals. Some of her most iconic songs include "Siri Ma Siri Ni Kanchha" and "Manchhe Ko Maya Yaha," which she performed with the legendary Narayan Gopal. Gyanu Rana has also been a judge in national music competitions and has represented Nepal in international cultural festivals. Her career includes contributions to more than ten Nepali films as a playback singer. She retired as an Assistant Director of Music from the Royal Nepal Academy in 2006.