Sajan Shrestha

Umesh Rai is a Nepali comedian, singer, and dancer best known for his iconic female character Phulandeko Aama from Mundreko Comedy Club. His sharp timing, expressive acting, and ability to blend humor with social commentary made the character one of Nepal’s most beloved comedy personas. Rai’s performances—both on stage and on digital platforms—showcase his versatility as a performer, moving easily between comedy, music, and dance. His popularity grew through viral sketches and interviews, where audiences discovered the real artist behind the character. Today, Umesh Rai continues to be a leading figure in Nepali entertainment, admired for his creativity, humor, and strong connection with the public.

Subodh Gautam is a Nepali artist known for his comedic talent and caricature skills. He has been featured in various comedy clips, including performances alongside popular Nepali comedians like Deepak Raj Giri and Kedar Ghimire. His work often appears in shows such as Wai Wai Quick Pyro Comedy Club with Champions, where he showcases his unique humor and creativity.

Rabi Dangol is a Nepali comedian and film actor. He is best known for his role in the comedy serial "Ulto Sulto" on Media Hub, where he plays the main character. Rabi has also appeared in films such as "Love Station" (2019) and "100 Kada 10" (2019). His comedic talent and engaging performances have made him a popular figure in Nepali entertainment.

Dinesh Khadka is a Nepali comedian who began his public career as an RJ around 2010/12, developing his voice, timing, and audience connection through radio before stepping onto local stages as a comic performer. He gained early attention by portraying the character “Nakkali Magne Budha,” skillfully echoing the style and rhythm of the original while adding his own improvisation to make audiences laugh. Known for his sharp mimicry, he can naturally reproduce the voices of many artists, public figures, and political leaders, which became one of his strongest comedic signatures. From radio studios to community festivals, and from small local shows to larger platforms, he gradually built his presence through steady struggle and consistent performance. His journey expanded further as he appeared in programs like Mundreko Comedy Club, Nepali films, and Comedy Darbar, where his expressive acting, character humor, and vocal versatility helped him establish himself as a rising national‑level comedian. His career reflects a long path of persistence.