Ramana Shrestha

Nawaj Ansari is a bold and boundary-pushing Nepali rapper, songwriter, and producer known for his sharp lyricism and genre-blending sound. Born on September 10, 1993, in Nepal, he later moved to Dallas, Texas, where he continues to create music that bridges cultures and languages. He’s gained a strong following through tracks that mix English, Nepali, and Arabic, often tackling themes like identity, rebellion, and social commentary. Some of his standout songs include: - “KEFAL HALUK” – a viral hit with over 7 million views, blending Arabic phrases with Nepali street poetry - “THE REAL GOAT” – a confident anthem showcasing his lyrical prowess - “GALXI KO MAACHA” – a gritty, introspective track with a raw visual aesthetic - “DESH JANTA” – a politically charged piece reflecting on national issues He’s also known for producing and mixing his own music, often collaborating with visual artists like Jungey’s World and Sisan Baniya to create cinematic music videos. His YouTube channel boasts over 550,000 subscribers and more than 117 million views, making him one of the most influential voices in Nepal’s hip-hop scene.

Rimla Moktan is a beloved Nepali singer known for the sweetness and clarity of her voice, heard in memorable songs such as “Mirmire Bihan Surya Ko Darshan Tiger Hillai Ma,” “Phalelungma Hiu Paryo Danphe Jharyo Sirikhola,” and others. Born in Darjeeling, she studied at Nepali Kanya Higher Secondary School (Boarding School), where she later returned as a teacher. Her musical journey began remarkably early—at just five or six years old—when she started learning classical music under Guru Madhu Singh.Her formal artistic path took shape under the guidance of Chandan Lomjel, who provided her special training and introduced her to competitive performance. Under his mentorship, she participated in the Darjeeling Gorkha Dukha Nivarak Sammelan Music Competition around 1981, performing songs composed by Chandan Lomjel with lyrics by P. Arjun and Puran Giri. She also sang a duet with Lakpa Sherpa, winning awards in both duet and group categories, and securing first place in the Lok‑Adhunik category—a milestone that marked her full entry into the musical field.Rimla continued her classical training with Guru Chittaranjan Mishra, and after he returned to Odisha, she studied under renowned sitar maestro Tri Ratna Tuladhar, with whom she still consults whenever she seeks deeper musical refinement. Through Chandan Lomjel, she also met composer Manikamal Chhetri, who offered her the opportunity to sing in Pratap Subba’s musical drama “Mrigtishna,” where she performed classical raga‑based compositions.With her grounding in classical discipline, her Darjeeling musical heritage, and her naturally melodious voice, Rimla Moktan remains a respected and cherished figure in Nepali folk‑adhunik music.

Roj Moktan is a celebrated Nepali singer and songwriter, born on July 3rd in Ramechhap, Nepal. He began his musical journey in 2048 BS (1991 AD) with the song "Boudhako Mane," which marked his entry into the Nepali music scene. Known for his energetic performances, Roj often captivates audiences with his guitar and Damphu, blending pop, folk, modern, and Tamang Selo genres. His unique style and heartfelt compositions have earned him a place among Nepal's top singers. Roj Moktan's music continues to resonate with fans worldwide, showcasing the rich cultural heritage of Nepal.

Bhugoal R. Dahal is a Nepali singer and music instructor known for his warm vocal tone, clean delivery, and his contribution to both modern and semi‑classical Nepali music. Active as a performer and educator, he serves as a music instructor at SS Music School, where he trains emerging vocalists in technique, expression, and performance discipline.Dahal’s singing career includes recorded songs across various modern, lok‑pop, and sentimental albums, along with a growing catalogue of digital releases. His voice is noted for its smooth phrasing, emotional clarity, and adaptability, making him a preferred vocalist for melodic and expressive compositions.As an instructor, he is recognized for his structured teaching approach, focusing on vocal foundation, pitch control, and stylistic interpretation. His dual role as a performer and educator has helped him build a respected presence in Nepal’s evolving music scene.