Rahul Shah

Junu BK is a permanent resident of Dhanakuta, stay in Kathmandu. Due to her passion for dance, she started dancing at an early age while studying in Kathmandu. Having learned dance from AASTHA KALA KENDRA, she is passionate about dance in all genres including culture, hip hop, classical, modern. Currently she works as a dance teacher in some schools and cultures" she was  Dance Instructor and choreographer at love of dance academy..

Manisha Thapa is a model and dancer. She has acted in more than 2 dozen music videos and stage performances. She has studied Bachelor of Arts (Creative Arts) in Dance from Padma Kanya Multiple College. She has worked as a dance instructor choreographer in various programs and schools.

Deeya Maskey started the journey of an artist as a dancer. The actor, dancer and currently one of the judges of the popular reality show Himalaya Roadies in her words "practices" all forms of art. From street theatres to mainstream movies, Deeya Maskey has the appearance of a tough perfectionist that subtly hides her humble demeanor. Being involved in the entertainment industry [professionally] for more than a decade with a debut in the film "Kagbeni", Deeya expresses her passion for what she does and says she wants to be a performer as long as she lives.

Renasha Bantawa Rai is a multi-talented creative Artist in Nepal, celebrated for her work as both a film director and a dance choreographer. She is most prominently known for her contributions to films such as Mero Euta Saathi Cha (2009), Visa Girl (2012), and Prem Geet (2016). These projects exemplify her unique ability to weave traditional Nepali dance motifs with modern cinematic storytelling, offering audiences a vivid, emotionally resonant experience that bridges cultural heritage with contemporary trends . Her choreographic style is characterized by a fluid blend of the classical and the modern. By integrating traditional rhythms, movements, and cultural narratives into her work, Renasha has played an influential role in reshaping the aesthetic language of Nepali cinema. This synthesis not only preserves time-honored artistic traditions but also presents them in a manner that appeals to newer generations, reflecting both innovation and reverence for cultural roots. Her creative contributions have set a new benchmark in how dance sequences enhance the narrative dynamism of a film . Renasha’s work continues to inspire emerging talents in the Nepali film industry. Her ability to act as both a storyteller and a cultural ambassador through dance has cemented her reputation as a vital contributor to modern Nepali cinema. For those interested in the evolution of dance in South Asian films or the broader intersection of tradition and modernity in art, her career offers a fascinating case study of creative perseverance and innovation.