Aarati Acharya

Sunny Rauniyar is a Nepali actress best known for her roles in classic Nepali cinema. She gained recognition for her performance as Sabita in the acclaimed film Prem Pinda (1995), a historical romantic drama that remains one of Nepal’s most iconic films. Her portrayal of a strong yet emotionally complex character earned her praise for both grace and depth. She later appeared in the film Daiva Sanjog (2001), further establishing her presence in the industry during the late 1990s and early 2000s. Though her filmography is limited, Sunny Rauniyar is remembered for her contribution to a golden era of Nepali cinema, where storytelling and character-driven narratives were at the forefront. Her work continues to be appreciated by fans of classic Nepali films, and she holds a respected place among the actresses who helped shape the industry’s early modern phase.

Karishma Manandhar is a Nepali actress. She made her acting debut at the age of 16 in the 1988 Nepali film Santaan. Karishma Manandhar is born in 1972 february according to her passport and birth ceritificates

Panchami Ghimirey is a Nepali actress who appears in Pahaad (2026), building on her early work as a child artist and voice performer in her father Tulsi Ghimirey’s films. Known for her natural expressions and clear dialogue delivery, she represents the new generation of Ghimirey family talent entering Nepali cinema with authenticity and discipline.

Gopal Bhutani (born Gopal Tamang, 1932 – November 23, 2010) was a pioneering Nepali art director, actor, and action choreographer who shaped the visual language of Nepali cinema. Born in Fikkal, Ilam, he began his film journey in Bollywood in the 1940s before returning to Nepal, where he introduced action direction to a melodrama-dominated industry. Despite his immense contributions, he struggled to obtain Nepali citizenship due to the “Bhutani” surname. Bhutani worked on over 70 films, including Balidaan, Aago, Shankar, Mamaghar, Shiris Ko Phool, and Jeevan Sangharsha. He passed away at age 78 from stomach cancer. His legacy remains foundational in Nepali film aesthetics and action choreography.