Purnima Khadka

Ugen Chhopel (also credited as Ugyen Chopel) is a Nepali film director and screenwriter best known for shaping the emotional, character‑driven style of late‑1980s and 1990s Nepali cinema. He made a landmark debut with the classic Saino (1988), a film that became a cultural milestone and later inspired the Hindi TV series Ajnabi. Chhopel continued his directorial journey with Bandhu (1992), Trishna (1991), Nepali Babu (1999), and the acclaimed fantasy‑drama Badal Paree (2001). His work spans Nepali and Indian productions, marked by emotional depth, strong performances, and cross‑cultural storytelling. Chhopel is also the nephew of actor Danny Denzongpa, linking him to a prominent artistic lineage.

Renuka Thapa is a Nepali singer, songwriter, and lyricist known for creating and performing her own original music. Active between 2012 and 2018, she developed a personal musical identity rooted in heartfelt lyrics, melodic composition, and a strong connection to contemporary Nepali pop and folk‑influenced styles.During her active years, Thapa wrote both the music and lyrics for her songs, establishing herself as a self‑sufficient artist with a clear creative voice. Her work reflects emotional storytelling, expressive vocal delivery, and a commitment to crafting songs that resonate with everyday Nepali listeners.

Razz is a Nepali actor, model of Nepali music video , who is well known after the  music video priya timro, karent lagchha , budhi ko kach kach,pachhaury ko cheau,otha ma timro,furkey junga ,yesto pani jindagi,maya ko sanshar,barkhe jhari,maya gare timilai,Dharahara ma basyo maya jaal,pardeshma mayalule wow bhannechhan,Eutai chahana

Hira Singh Khatri is regarded as one of the earliest architects of Nepali cinema, best known for directing Aama (1964), the first Nepali feature film produced in Nepal under the Royal Nepal Film Corporation. His work marked the formal beginning of Nepal’s national film industry, establishing narrative, technical, and production standards for future filmmakers. Khatri later directed Hijo Aaja Bholi (1967), further strengthening the foundation of Nepali storytelling on screen. His films emphasized patriotism, social values, and emotional realism, influencing a generation of emerging directors. As a pioneering figure who helped transition Nepal from stage and radio culture into cinematic expression, Hira Singh Khatri’s contribution remains a defining milestone in the history of Nepali filmmaking.