Anu Karki

Bijay Shivakotee is a respected Nepali lyricist and poet active since 1986, celebrated for his emotionally resonant, conversational writing style. His songs—including Bihani Seet Bani, Mero Pani Yaad Aaucha, Chaina Jun, and Thaha Chaina Kun Mod—have become enduring favorites, shaping modern Nepali music with their simplicity, depth, and lasting cultural impact.

Karma Yonjan is a respected figure in Nepali Adhunik (modern) music, known for his lyrical depth and evocative compositions. Originally from Darjeeling, he gained recognition through his performances in the Paleti music series, where his collaborations with artists like Kumar Subba and Daisy Baraili stood out for their emotional resonance and poetic storytelling. Some of his most beloved works include: “Kati Bujhaaun” — a poignant reflection on emotional endurance, written and composed by Yonjan himself. “Samjhera Bujhera” — a duet with Dil Maya Khati that showcases his melodic sensitivity. “Mechiko Wari Basera” — a nostalgic piece performed with Kumar Subba.

Krishna Devkota is a Nepali folk and dohori singer, songwriter, and composer known for his expressive vocal delivery and commitment to authentic lok‑dohori traditions. Active through his official YouTube channel, he has released popular songs such as “Jor Dharako Pani”—where he contributed both lyrics and music—and collaborative hits including “Ma Ta Lahure Gorkha Paltan Ko,” “Ramdi Jharera,” and “Kasko Dil Thulo.” His works often feature leading artists like Shanti Shree Pariyar, Laxmi Neupane, Khuman Adhikari, and Devi Gharti. Devkota’s catalog reflects a blend of heartfelt storytelling, melodic clarity, and dedication to preserving Nepal’s folk musical heritage.

Shyam Mohan Shrestha is a veteran Nepali cinematographer known for his refined visual style and consistent contributions to Nepali cinema from the late 1970s onward. Active for more than four decades, he has worked across landmark films that shaped the visual language of the industry. His cinematography is recognized for its balanced lighting, grounded realism, and strong narrative sensitivity, particularly in social dramas and romantic features.He is best known for his work in acclaimed films such as Kumari (1977), Sindoor (1980), Badlido Aakash (1983), Ke Ghar Ke Dera (1985), Maya Preeti (1989), Badal (1994), Saubhagya (1995), and the celebrated Gothalo (1996). His career also extends into film production, including the feature Ghumto (2001). Shrestha remains regarded as one of the steady, foundational cinematographers of his generation, contributing to the evolution of Nepali film aesthetics.