Nishma Ghimire

Starting from his early life in Biratnagar, Prakash Pathak was born in 2001 B.S. (1944 AD) and later became a familiar face in Nepali cinema. He entered the Nepali film industry in the early 2040s B.S. (1980s AD), gradually establishing himself through steady, heartfelt performances in social and family‑oriented films.Over the course of nearly three decades, Pathak contributed to a wide range of Nepali feature films and telefilms. He appeared in several well‑known titles, including Mayalu, Tilahari, Gopikrishna, Tuhuro, and Bandhan, along with numerous other productions across the 1980s, 1990s, and early 2000s.Prakash Pathak was known for portraying grounded, relatable characters — often fathers, uncles, community figures, or emotionally layered supporting roles. His natural acting style, calm presence, and ability to reflect everyday Nepali life made him a respected contributor to the golden and transitional eras of Nepali cinema.

Rajashree Chettri is a Nepali actress active in the mid‑1980s, known for her graceful screen presence and roles in social and family‑drama films of the period. Her performances reflected the emotional clarity and natural acting style characteristic of the era, contributing to the evolving visual identity of Nepali cinema during the late 1980s. Though her filmography remains limited in public archives, Chettri is remembered for her expressive roles, cultural authenticity, and participation in a formative chapter of Nepali film history

Jiya KC, born on December 12 in Birtamod, Jhapa, is a Nepali actress and model known for her bold roles in films like ATM, Barbaad, and Gigolo, having debuted with Ho Yehi Maya Ho (2013) alongside Rajesh Hamal and Karishma Manandhar. She gained widespread attention for her appearance in the controversial film ATM (Any Time Masti), which sparked both criticism and curiosity in the Nepali film industry. Active since 2013, Jiya KC has portrayed diverse characters in films such as Wrong Way, Rudrakchya, Valentine Dhoka, and Bacha Timrai Ho Ya Mann. After a brief hiatus following Valentine Dhoka (2015), she returned to the screen with Bacha in 2019. Jiya KC is also known for her public relationship with veteran actor Bhuwan KC, which has kept her in the media spotlight beyond her film career.

Sebita Adhikari is a rising Nepali actress known for her work in both theatre and film, especially through the Katha Ghera collective. She’s part of a new wave of performers blending socially conscious storytelling with artistic experimentation. Here’s a closer look at her contributions: 🎭 Theatre & Short Film Work Katha Ghera Collective: Sebita has been deeply involved with this Kathmandu-based theatre group known for bold, socially engaged productions. She appeared in A Good Apology (2021), a Nepali short film produced by Katha Ghera, where she also served as Assistant Director. The film explores themes of accountability and emotional healing, and Sebita’s dual role reflects her versatility in both performance and production. Playback Theatre: She’s connected to the Wednesday Playback Theatre Circle, which uses improvisational storytelling to reflect community experiences. This aligns with your interest in participatory archives and diaspora engagement. 🎬 Film Credits The Shameless (2024) – Played the role of Aditi in this feature film. Rotten Blood (2023) – Appeared in this short film, showcasing her range in darker, dramatic narratives. Chhuk Chhuk Chhuk Chhuk (2023) – Featured in this music video as a youth enthusiast.