Nina Pradhan

Born on December 11 in Kathmandu, Nepal, to Devendra Prasad Bhatta and Tara Devi Bhatta, Manzayashree Bhatta was raised in the Samakhusi area of Kathmandu. Despite having no formal musical training, she discovered her innate singing talent early on, considering it a divine gift. Her musical journey commenced in 2004 with the recording of her debut song, “Sinduri Sanjh Ma”, composed by her sister Anusha and penned by her brother Rajan. In 2005, she released her first album, “Magnet”, marking her official entry into the Nepali music industry. Her mother has been a significant source of inspiration throughout her musical endeavors. One of her notable songs, “Timlai Samjhiye”, gained popularity among listeners and media, further establishing her presence in the music scene. In 2024, Manzayashree achieved international recognition with the release of her single “Jhyain”, a collaborative Indo-Nepali fusion track featuring Bollywood singer Dev Negi. The song was showcased at Times Square in New York City, symbolizing a significant milestone in her career. The music video, directed by renowned cinematographer Binod Pradhan, was filmed at Mumbai's Imperial Palace and featured choreography by the acclaimed duo Bosco-Caesar. The track has garnered over 84.5 million views on YouTube, highlighting its global appeal .

Gagan Lepcha is a veteran Nepali choreographer known for his influential work in 1980s and 1990s Nepali cinema, contributing to films such as Arko Janma (1985) and other mid‑era productions. Recognized for blending classical Nepali movement with contemporary film choreography, he helped shape the visual rhythm of early commercial Nepali films. His work is noted for clean formations, expressive storytelling through dance, and strong collaboration with directors and music directors of the era. 

V. Balsara (Vistas Ardeshir Balsara) is revered as the first music director of Nepali cinema and the pioneering architect who shaped the earliest sound, rhythm, and emotional identity of Nepali film music. His compositions for Aama (1964), Nepal’s first feature film produced in Nepal, established the musical soul of an entire industry.Born in India and trained under legendary maestros such as Ustad Mushtaq Hussain, Master Ghulam Haider, and Khemchand Prakash, Balsara began his musical journey in 1942 with the Hindi film Badal. He became an independent music director with Circus Girl (1943) and went on to compose for 32 Bengali, 12 Hindi, and 3 Nepali films, along with more than 200 albums, showcasing mastery over piano, melodica, Univox, and several other instruments.His entry into Nepali cinema came when director Hira Singh Khatri decided to record the music of Aama in Calcutta. Balsara not only composed the first Nepali film songs but also introduced and shaped the voices of Shiv Shankar Manandhar, Tara Devi, and Pushpa Nepali in playback singing. His melodies for the lyrics of M.B.B. Shah and Laxman Lohani gave Nepali cinema its first musical fragrance.He returned for Hijo Aaja Bholi and later Parivartan, a landmark film that truly transformed Nepali film music. Through Parivartan, Balsara brought Narayan Gopal into playback singing, introduced Mira Rana, expanded Tara Devi’s musical range, and collaborated with writers like Chetan Karki and Tirtha Shrestha.The song “Bujhnai Sakenau Timile Mero Aankha Ko Bhaka” became an immortal milestone in Nepali film music, while “Bainiko Daya Chha Bhane Rodhigahr Dai Nachyo Nabhane” blended folk essence with cinematic sound in a groundbreaking way.Quiet, visionary, and deeply devoted to his craft, Balsara shaped not only melodies but also artists, opportunities, and the very direction of Nepali film music. His contribution remains foundational—etched in gratitude and golden memory.He passed away on 23 March 2005, but his melodies continue to echo as the first sweet remembrance of Nepali cinema’s musical journey.

Early Life Karan Rai was born in Jhapa-Nepal and raised in Louisville, Kentucky. From a young age, he showed a keen interest in music and began honing his singing skills. His passion for music led him to participate in various local events and competitions. Career Highlights The Voice of Nepal Season 4: Karan Rai winner of "The Voice of Nepal Season 4". He  gained widespread recognition as a contestant on #TVONS 4. His performances, such as "Hey Nakkali Nakkali," "Siran Ma Photo Chha," and "Him Nadi Jhai Yo Maya," captivated audiences. Popular Songs: Some of his notable songs include "Song Title 1" and "Song Title 2." Social Media Presence: Karan has a strong presence on social media platforms like TikTok and YouTube, where he shares his music and connects with fans. Musical Style Karan Rai's music blends traditional Nepali sounds with contemporary elements, creating a unique and captivating style. His powerful voice and emotive performances have made him a beloved figure in the Nepali music industry.