Neetesh Jung Kunwar

Kumar Kanchha is a legendary Nepali playback singer, composer, and actor, known for his soulful voice and contributions to both music and cinema. Born on 28th Mangsir 2014 B.S. in Kolkata, India, he rose to fame with timeless hits like “Jindagi Ko Ke Bhara Cha Ra,” “Amaile Bhanthin,” and “Batasale Udai Lyayo.” His album Goreto and songs like “Naina Resham” remain Nepali folk-pop classics. In addition to his musical legacy, Kumar Kanchha also made a mark as an actor. He appeared in the iconic film Saino (directed by Ugyen Chopel), where his song “Kalko Pani Rakshi Ganayo” became a cultural phenomenon. He also acted in films like Lahure and Koshili, contributing both as a performer and playback singer. Kumar Kanchha’s dual legacy in music and film has made him one of the most cherished and versatile artists in the history of Nepali entertainment.

Bikyy Karki is a Nepali singer-songwriter and composer known for his heartfelt lyrics and mellow acoustic style. His music often explores themes of love, longing, and personal struggles, delivered with a raw, emotional touch that resonates with a younger audience. Some of his notable songs include: “Oh Pyali” – a romantic and playful fan favorite “Ramro Manchhe” – a soulful reflection on goodness and human connection “Dherai Raksi Piunchhu Aajkal” – a personal, introspective piece penned in 2018 and released in 2024 “Ganja Ko Sahara” (2021/2024 re-release) – a folk-pop song about heartbreak and coping, featuring sarangi by Prince Nepali and mixed by Ujjawal Shreyan Mahat His collaboration with sound designer Rikesh Gurung and recording at Kripa Drishya Digital gives his work a distinct sonic texture. Bikyy’s hands-on involvement in composition, lyrics, and vocals reflects his commitment to authenticity and storytelling.

Mamata Dipabima (also credited as Mamata Dipbim) is a respected figure in Nepali music, known for her expressive vocals and contributions to modern and classic Nepali songs. Active since the late 1990s, she has released numerous albums and collaborated with prominent artists and composers like Madan Dipbim and Dipesh Pradhan. She has appeared on albums such as Mamata-1, Mamata-3: Tara Gandai, Ke Yo Maya Ho – Mamata-4, and Greencardko Lobhma. Her music blends heartfelt lyrics with melodic arrangements, often reflecting themes of love, longing, and cultural identity

Santosh Bhakta Shrestha is a renowned Nepali esraj player, freelance musician, and respected music teacher celebrated for his mastery of this rare bowed string instrument. With decades of dedication to classical and devotional music, he has become a leading figure in preserving and promoting the esraj tradition in Nepal. His performances—such as the soulful rendition of “Jaha Chhan Buddhaka Aankha”—are marked by emotional depth and technical brilliance. Santosh Bhakta has collaborated with prominent artists and institutions, including SAC Music International and Dhrupad Gurukul Kathmandu, where he has performed ragas like JogKauns in intimate classical gatherings. His style is known for its fluid bowing, vocal-like phrasing, and meditative resonance, making him a sought-after performer and mentor. As a freelance teacher, he continues to inspire the next generation of musicians, ensuring that the esraj remains a living, breathing part of Nepal’s musical heritage.