Nagendra Bikram Rai

Kiran Baral is a talented flutist known for his soulful renditions on the flute. He has captivated audiences with his melodious performances. Kiran, born in Samudratar, Nuwakot, was interested in music from an early age. Now he is traveling in that dream. Kiran is adept at playing the flute in all genres of music. Kiran is currently busy with reality shows, song recording, live music. He has been to different countries and many cities of Nepal for musical programs.

Manice Gandharva is a talented musician known for his mastery of the sarangi, a traditional Nepali string instrument. His soulful melodies have resonated with audiences, and he has collaborated with various artists to create beautiful music. Here are some interesting facts about Manice Gandharva: Sarangi Virtuoso: Manice Gandharva is an accomplished sarangi player. The sarangi is a bowed instrument with a rich history in Nepali and Indian classical music. Manice’s skillful strumming and emotive playing have captivated listeners. Late Start: Surprisingly, Manice wasn’t initially drawn to the sarangi. As a child, he was more interested in playing the drums. However, at the age of 14, he began learning the sarangi from his uncle, Bikram Gandharva, who was also a sarangi player. Collaborations: Manice has collaborated with fellow musicians, contributing to various projects. One notable collaboration is the song “Hamro Nepal Ma,” where he played the sarangi alongside Chetan Raj Karki. The song, composed by Neetesh Jung Kunwar, celebrates the beauty and spirit of Nepal. Teaching Sarangi: Manice is passionate about preserving and promoting traditional music. He conducts sarangi classes, welcoming beginners and advanced learners alike. His dedication to teaching ensures that the art of sarangi playing continues to thrive. Manice Gandharva weaves melodies that evoke the essence of Nepal, connecting listeners to their cultural roots. His commitment to this ancient instrument and its timeless music is truly commendable. 🎶

Manohari Singh (1931–2010), born in Kolkata to a Nepalese Bhusal family, is celebrated as one of South Asia’s finest woodwind and orchestral arrangers. Though globally known for his work with R.D. Burman, his Nepali heritage and musical upbringing in a Nepali household shaped his tonal sensibility, melodic phrasing, and emotional depth — qualities that strongly resonated with Nepali film composers.His mastery of alto saxophone, flute, piccolo, clarinet, mandolin, and bansuri made him a sought‑after session musician whose sound influenced the orchestral palette of Nepali film music in the 1980s–1990s. Many Nepali composers — especially those working in Mumbai and Kolkata studios — relied on his phrasing style, brass‑woodwind layering, and melodic counterlines as a reference point.Although he did not score many Nepali films directly, his arrangement style, brass band roots, and Nepali musical lineage helped shape the cross‑border sound that Nepali cinema adopted during its modern era. His work as part of the Basu–Manohari duo also inspired Nepali arrangers who studied Indian studio orchestration.

Rajendra Karn is a Nepali music instrumentalist known for his contributions to traditional and film music in Nepal. He has played a significant role in shaping the sound of old Nepali films, working as a musician and instrumentalist in various productions. His expertise in classical and folk instruments has made him a respected figure in the Nepali music industry. Rajendra Karn has also been involved in reviving and preserving traditional Nepali music, collaborating with artists to keep the essence of Nepali folk and classical sounds alive. His work has been featured in several old Nepali films, contributing to their musical richness.