Mukesh Dhakal

B.S. Rana is a veteran Nepali actor celebrated for his commanding presence and memorable character roles across several decades of Nepali cinema. Known for his natural performance style and disciplined craft, he has appeared in many acclaimed films, contributing depth to social dramas, family stories, and commercial hits alike. Rana’s work in classics such as Basudev, Prem Pinda, Chino, Dakshina, Kanyadan, Muna Madan, and Dharma Sankat helped establish him as one of the industry’s most reliable senior actors. His enduring career reflects a rare combination of versatility, professionalism, and a deep commitment to Nepali storytelling.

Honey Rauniar was an actress associated with the Nepali film Aadarsha Nari (1984), where she appeared as part of the film’s cast. Detailed information about her life and acting career is not widely available in public records. However, her involvement in Aadarsha Nari reflects the participation of emerging artists in the early phase of Nepal’s film industry. Even with limited documentation, Honey Rauniar’s contribution remains a small but meaningful part of the history of early Nepali cinema. 

Biswa Basnet is an actor and writer, known for Anyay (1989), Kumari (1977) and Sindoor (1980).

Maotse Gurung is a talented Nepali actor, writer, and director from Pokhara. He has made significant contributions to the Nepali film industry and is known for his remarkable performances in various movies. Some of his notable works include: Daya Rani (2024): in this film maotse work as a director. Manko Babari (2017): In this film, Maotse Gurung played a key role as a writer. Shirsuba (2020): Another project where he showcased his writing skills. Purano Dunga (2016): Maotse Gurung’s involvement in this film further highlights his versatility as an actor and writer. His filmography extends beyond these, with roles in other movies such as “Dimag Kharab”, “Jai Ho”, and “Kabaddi”. Maotse Gurung’s talent and dedication have left a lasting impact on the Nepali cinema scene.