Kiran Nepali

Anup Das is a Nepali guitarist and bass guitarist active in studio recordings, live performances, and session work across Kathmandu’s music scene. His playing appears in multiple recording studios—including Mahol Studio, Studio Sangam, and Studio King—where he is frequently featured in bass‑guitar sessions, rhythm‑guitar recordings, and instrumental projects.He is known for his versatile guitar work, performing everything from acoustic covers to bass‑driven Nepali folk, pop, and contemporary arrangements. His presence across numerous studio videos and recording sessions highlights his role as a reliable session instrumentalist, contributing to the sound of many artists behind the scenes.With a growing digital footprint through studio features and performance clips, Anup Das represents the class of dedicated Nepali instrumentalists whose craft supports both emerging and established singers in Nepal’s evolving music industry.

Nepal has many flautists but no one has completed his Masters in flute-playing as has Jeevan Ale, He completed his Masters from the Prayag Institute of Illahabad, India. Having devoted more than half of his life to classical music, this resident of Mahottari has finally received accolades for his efforts. Though interested in flutes from an early age, Ale says that he only understood the intensity of its music when he started studying it. he was more involved in the academic side of music rather than the practical. He taught at Kathmandu University and also gave private tuitions.

Suraj Nepal, The Esraj player born in Nepal started a love affair with music since his childhood. He grew up listening to folk and religious tunes played during various festivals in Kathmandu. At the age of 10 he started playing madal (A Nepali percussion) and started singing folk songs since his school days. As years passed, his interest in eastern classical music and instruments grew. That’s when he met a musician friend of a relative that introduced him to Esraj and encouraged him to learn the instrument. He learnt Esraj from Guru Santosh Bhakta Shrestha who then was the only person in Nepal to play the instrument. He too was his only disciple. He received a diploma in Esraj and in 2007. Since then he’s won many accolades, performed with many international artists, played many projects, bands and function. He’s benchmark performances include Playing for Change Organization, Varanasi International Ashram, Udaipur Shilpgram Festival, CPI NTOK 2014 Korea and Wumeng Grassland Music Festival China 2016, Inner Mongolia China 2018 & Wilma Israel 2019 etc.

Umesh Pandit started learning flute at his early age under the guidance of flutist and founding member of Sukarma Manose Singh and Sehanai with late Pt. Madan Bhatta. As a fine musical talent, he has been honored and recognized by various national and international artistes that include an opportunity to play together with the Grammy Award winning famous Indian Classical Hawaian guitarist Pt. Vishwa Mohan Bhatt. He has performed in different places in Nepal and abroad. Umesh has proved himself as a successful composer and flutist among his fellow artistes.