Jayanendra Chand Thakuri

Starting from his early years in Nepali commercial cinema, Ravi Shah established himself as a dependable character actor known for his calm screen presence, expressive delivery, and versatility across drama, family, and social‑themed films. Active since 1985, he has contributed to more than 50 Nepali feature films, often portraying father figures, community elders, and emotionally grounded supporting roles.Shah’s career spans the golden era of 1990s Nepali cinema through the transitional 2000s, with memorable performances in films such as Kanyadaan (1991), Maya Preeti (1989), Pachhis Basanta (1989), Badal Paree (2001), Manmandir (2002), Pahuna (2003), Aankha Lobhi Man Papi (2003), and Godhuli (2003). His long filmography reflects steady, respected participation in mainstream Nepali filmmaking, and he is also credited as a legal advisor in the industry.

Pawan Mainali is a Nepali film actor best known for his powerful portrayals of villainous characters, earning recognition for his intense screen presence and commanding performance style. Active across commercial and social‑themed cinema, he has built a reputation for bringing depth, aggression, and emotional weight to negative roles, making him one of the memorable खलनायक figures in Nepali films. His ability to shift between fierce antagonists and character‑driven supporting roles has established him as a versatile and reliable performer within the industry.

Starting from his early life in Biratnagar, Prakash Pathak was born in 2001 B.S. (1944 AD) and later became a familiar face in Nepali cinema. He entered the Nepali film industry in the early 2040s B.S. (1980s AD), gradually establishing himself through steady, heartfelt performances in social and family‑oriented films.Over the course of nearly three decades, Pathak contributed to a wide range of Nepali feature films and telefilms. He appeared in several well‑known titles, including Mayalu, Tilahari, Gopikrishna, Tuhuro, and Bandhan, along with numerous other productions across the 1980s, 1990s, and early 2000s.Prakash Pathak was known for portraying grounded, relatable characters — often fathers, uncles, community figures, or emotionally layered supporting roles. His natural acting style, calm presence, and ability to reflect everyday Nepali life made him a respected contributor to the golden and transitional eras of Nepali cinema.

Ram Sekhar Nakarmi was a veteran Nepal Bhasa (Newari) artist, writer, director, and cultural contributor best known for his defining creative role in the classic Newar‑language film Rajamati (1995/1996). He served as the film’s story writer, screenplay writer, and production designer, making him one of the central creative forces behind the project.Active for over six decades in Nepal Bhasa arts and literature, Nakarmi was widely respected as a satirist, playwright, and performer, contributing to stage, screen, and cultural preservation. His long career included writing, directing, and acting in various Newar productions, earning him recognition as a multi‑talented figure in Kathmandu Valley’s artistic community.A permanent resident of Inachowk, Bhaktapur, he continued creating and performing well into his later years. His legacy is most strongly tied to Rajamati, a landmark film based on a 200‑year‑old ballad, where his writing helped bring Newar heritage to the screen with authenticity and emotional depth.Ram Sekhar Nakarmi passed away in 2017 at the age of 80, after a long battle with cancer, leaving behind a profound cultural legacy and a body of work that remains foundational to Nepal Bhasa cinema and literature.