Dirgha Gurung

Shyam Mohan Shrestha is a veteran Nepali cinematographer known for his refined visual style and consistent contributions to Nepali cinema from the late 1970s onward. Active for more than four decades, he has worked across landmark films that shaped the visual language of the industry. His cinematography is recognized for its balanced lighting, grounded realism, and strong narrative sensitivity, particularly in social dramas and romantic features.He is best known for his work in acclaimed films such as Kumari (1977), Sindoor (1980), Badlido Aakash (1983), Ke Ghar Ke Dera (1985), Maya Preeti (1989), Badal (1994), Saubhagya (1995), and the celebrated Gothalo (1996). His career also extends into film production, including the feature Ghumto (2001). Shrestha remains regarded as one of the steady, foundational cinematographers of his generation, contributing to the evolution of Nepali film aesthetics.

Narendra Mainali is a celebrated Nepali cinematographer known for his evocative visual storytelling and contributions to both mainstream and independent cinema. With a background in computer engineering, he transitioned into filmmaking through a deep passion for photography and motion pictures. Education & Training Mainali holds a Bachelor's degree in Motion Picture Photography from Oscar College of Film Studies, Tribhuvan University. He further honed his craft through international programs, including: Asian Film Academy (Busan International Film Festival, 2012) Berlinale Talents (Berlin Film Festival, 2013) VIEWFINDER: Masters in Cinematography (Erasmus+ program in Ireland, Hungary, and Estonia) He also studied at the Danish School of Media and Journalism and received mentorship from cinematic legends like Wong Kar Wai and Matthew Libatique (cinematographer of Black Swan). Career Highlights Mainali’s debut short film Bansulli (The Flute) was selected for the Venice International Film Festival, while The Contagious Apparitions of Dambarey Dendrite premiered at the Abu Dhabi Film Festival. His work spans over 18 films, including shorts and features, many of which have screened at prestigious festivals in Venice, Busan, Locarno, and Palm Springs.

Roshan Das is a Nepali film director, music video director, lyricist, actor, and content creator from Godaita, Sarlahi, Nepal. At the age of 23, he has established himself as one of the emerging young filmmakers in Nepal through his dedication, creativity, and perseverance. Before entering feature filmmaking, Roshan directed more than 70 music videos and wrote over 10 songs. His notable directorial works include Bayan, Aadat, and Ramāune Manchhe, while his songwriting credits include Aafnai Swartha, Naya Itihas, Bhool Bhayo, and songs for his debut feature film Pratibairam. Despite having no formal education in filmmaking, Roshan built his career through practical experience and self-learning. He began creating videos during the COVID-19 pandemic using his father's Android phone before progressing to professional productions. His journey has been defined by persistence, overcoming financial and industry challenges while pursuing his passion for storytelling. His work has earned recognition through several national music awards, including: Jay Prapti Music Awards 2080 – Best Music Video Director (Rang Kada) Epic Nepal Music Awards 2081 – Best Music Video Director (Aadat) Silver Music Awards 2082 – Best Music Video Director (Aafnai Swartha) Jyoti Films Music Awards 2082 – Best Music Video Director (Bayan) Roshan made his feature film directorial debut with Pratibairam, a Nepali horror-comedy film. The project represents years of determination and reflects his vision of creating original, audience-focused cinema. In addition to directing, he also contributed as a lyricist to the film. Committed to continuous growth, Roshan Das aims to bring fresh stories to Nepali cinema while expanding his work to international audiences. His journey from a self-taught creator to an award-winning director reflects his belief that passion, resilience, and hard work can overcome any obstacle.

Baikuntha Man Maskey is honored as the first cinematographer of Nepali cinema, a pioneering figure who helped shape the visual foundation of early Nepali films. He earned a Diploma in Cinematography from the Film and Television Institute in Pune, India, in the 1960s, and began his career as the chief cinematographer for “Manko Baadh.” Maskey went on to shoot numerous films, including “Parivartan” and “Hijo Aaja Bholi,” along with extensive work in documentaries and television. He passed away at the age of 83, leaving behind a lasting technical and artistic legacy.