Dirgha Gurung

Aalok Shukla is a Nepali cinematographer and director of photography, born in Kapilvastu, Nepal, and trained at the prestigious Film and Television Institute of India (FTII), Pune, where he completed his post‑graduate degree in Motion Picture Photography in 2008.Known for his precise control of lighting, color, framing, and visual mood, Shukla has built a strong body of work across Nepali and South Asian cinema. His filmography includes acclaimed features such as Nango Gaun (2023), Sano Mann (2019), Love Station (2019), America Boys (2018), Teen Jantu (2021), ZURI – A Rare Soul (2021), Ma Rajesh Hamal (2022), Dubidha (2022), and the internationally recognized Crawling Crows: Aankha (2024).He has also worked in Indian productions, including Yeh Meri Family (2nd Unit DOP, 2018) and Kismat (Assistant Camera, 2011), demonstrating his technical versatility across formats.Beyond cinematography, Shukla has directed the documentary “Revolution of the Black Buddha’s”, reflecting his interest in socially rooted visual storytelling.

Raju Khatri Chhetri is a Nepali cinematographer known for his natural‑light visual style and versatile work across feature films, music videos, and commercial productions. Active in the evolving wave of Nepali filmmaking, he has contributed to projects such as Senti Virus and Bir Bikram 2, along with numerous independent films and mainstream music videos. His cinematography emphasizes clean framing, expressive close‑ups, and grounded outdoor visuals, making him a reliable collaborator for directors across genres. Beyond films, he works extensively in brand promos, event coverage, and digital advertising, establishing himself as a consistent and adaptable DOP in the industry.

Baikuntha Man Maskey is honored as the first cinematographer of Nepali cinema, a pioneering figure who helped shape the visual foundation of early Nepali films. He earned a Diploma in Cinematography from the Film and Television Institute in Pune, India, in the 1960s, and began his career as the chief cinematographer for “Manko Baadh.” Maskey went on to shoot numerous films, including “Parivartan” and “Hijo Aaja Bholi,” along with extensive work in documentaries and television. He passed away at the age of 83, leaving behind a lasting technical and artistic legacy.

Krishna Shrestha is a Nepali cinematographer active since 2002, known for his versatile work across commercial, romantic, and action‑drama films in Kollywood. His career spans more than two decades, with credits in major productions such as Kranti (2002), Bhuttukai Bhaye Ni (2002), Pyari Bahini (2004), Kanoon (2007), Dhoom (2009), Dosti (2009), Man Manai Man Paraye (2011), Bodyguard (2012), Jodi No.1 (2014), Bhram (2015), Luv Sab (2015), Sakas (2017), Boyfriend (2018), and Eklavya (2019). His work is recognized for clean framing, commercial visual appeal, and consistent collaboration with mid‑2000s and 2010s Nepali film directors.