Dilip Rayamajhi

Gopal Bhutani (born Gopal Tamang, 1932 – November 23, 2010) was a pioneering Nepali art director, actor, and action choreographer who shaped the visual language of Nepali cinema. Born in Fikkal, Ilam, he began his film journey in Bollywood in the 1940s before returning to Nepal, where he introduced action direction to a melodrama-dominated industry. Despite his immense contributions, he struggled to obtain Nepali citizenship due to the “Bhutani” surname. Bhutani worked on over 70 films, including Balidaan, Aago, Shankar, Mamaghar, Shiris Ko Phool, and Jeevan Sangharsha. He passed away at age 78 from stomach cancer. His legacy remains foundational in Nepali film aesthetics and action choreography.

actor model at Nepali film industry from Kailali- Nepal .

Dayahang Rai is a Nepalese actor, director and play writer known for his work in Nepali cinema. He is one of the most popular and acclaimed actors in Nepal. He has starred in 40 plus films and is one of the leading contemporary actors in Nepal. Dayahang rose to prominence from the television series Yuva, Dalan and Hamro Team. His first leading role in a film was in Anagarik (2006) and had only one successful film Dasdhunga (2010) to his name but the 2012 Industry Hit film Loot (2012) marked turning point in his career and since then has starred in successful films Chhadke (2013), Badhshala (2013), Karkash (2013), Jholey (2014), Kabaddi (2013) and its sequels Kabaddi Kabaddi (2015) and Kabbadi Kabbadi Kabbadi (2019), Talakjung vs Tulke (2014), Woda Number 6 (2015), How Funny (2016), Bir Bikram (2016), Loot 2 (2017), Kaanchi (2018) and Jatrai Jatra (2019). He has starred in the film White Sun (2016) which was his first film that was entry of Nepal for Academy Awards. Dayahand Rai is also the recipient of numerous awards including three National Awards for Best Supporting Actor in 2009 for Dasdhunga, Best Actor in 2015 for Sambodhan, and Best Actor in 2016 for Kabaddi Kabaddi.

B.S. Rana is a veteran Nepali actor celebrated for his commanding presence and memorable character roles across several decades of Nepali cinema. Known for his natural performance style and disciplined craft, he has appeared in many acclaimed films, contributing depth to social dramas, family stories, and commercial hits alike. Rana’s work in classics such as Basudev, Prem Pinda, Chino, Dakshina, Kanyadan, Muna Madan, and Dharma Sankat helped establish him as one of the industry’s most reliable senior actors. His enduring career reflects a rare combination of versatility, professionalism, and a deep commitment to Nepali storytelling.