Chiranjibi Basnet

Sita Gurung is a former Nepali stage dancer and film actress. During the mid-1990s, she was actively involved in cultural and comedy programs organized by the legendary Maha Jodi and performed in Nepal as well as abroad, including Hong Kong. She was also a featured dance performer in the popular touring stage show Shikhar Sanjh, which traveled to various parts of the country and attracted large audiences.Building on her success as a stage performer, Sita Gurung later entered the Nepali film industry and appeared in movies such as Aaghat (1996) and Daiva Sanjog (1998). Although there is little evidence of her continued involvement in the entertainment industry today, her beauty, talent, and stage presence left a lasting impression on the Nepali artistic scene of her era.

Biswa Basnet is an actor and writer, known for Anyay (1989), Kumari (1977) and Sindoor (1980).

Laxminath Timalsina is a Nepali film actor active since 2018, known for his appearances in commercial and character‑driven cinema, including roles in Damaru Ko Dandibiyo (2018), Lily Bily (2018), Bir Bikram 2 (2019), and upcoming titles such as Mohar (2025) and Feri Resham Filili (2025). His growing presence in mainstream films reflects a steady rise supported by versatile supporting performances and a relatable on‑screen persona. Timalsina is also featured in the ensemble cast of Gobar Ganesh (2026), further expanding his footprint in contemporary Nepali cinema. Active across both film and comedy‑drama platforms, he represents a new generation of actors contributing consistent, grounded performances to Nepal’s evolving film landscape.

Mukunda Shrestha is a veteran Nepali film actor recognized for his powerful presence in action, antagonist, and character roles across more than four decades of cinema. Emerging during the formative years of modern Nepali filmmaking, he built a reputation for intensity, discipline, and memorable screen performances. His work spans notable films such as Kohinoor, Basain, Muskan, and several mainstream action features that defined their era. After stepping away from the industry for nearly a decade, he returned with renewed energy in Laaj Sharanam, reaffirming his commitment to Nepali cinema and his enduring connection with audiences.